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Anthony Lane • 452 Items / 1 Book, 67 Articles, 383 Reviews, 1 Poem
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  1. Annals of Gastronomy
    Anthony Lane
    Look Back in Hunger
    The New Yorker, December 18, 1995, pp. 50-66
  2. Annals of Popularity: Warring Fictions
    Anthony Lane
    What did America read fifty years ago?
    The New Yorker, June 26, 1995, pp. 60-73
  3. Annals of Software
    Anthony Lane
    Byte Verse
    The New Yorker, February 20, 1995, pp. 102-117
  4. Annals of Software: Byte Verse
    Anthony Lane
    Thirteen hundred years of English poetry, in one sitting
    The New Yorker, February 20, 1994, pp. 102-117
  5. The Critics
    [+]
    Art for Love's Sake (Review)
    Anthony Lane
    John Ruskin: The Later Years, by Tim Hilton
    1. John Ruskin: The Later Years by Tim Hilton
    The New Yorker, August 14, 2000, pp. 78-81
  6. The Art World: American Diasporist
    Richard Avedon and Anthony Lane
    R.B. Kitaj at the Met and the Marlborough Gallery
    The New Yorker, March 13, 1995, pp. 88-91
  7. [+]
    Back To Basics (Review)
    Anthony Lane
    Hollywood Animal, by Joe Eszterhas
    1. Hollywood Animal by Joe Eszterhas
    The New Yorker, February 9, 2004, pp. 78-79
  8. Backstage Paris: The Last Emperor
    Anthony Lane
    Karl Lagerfeld designs for three houses, in between intellectual pursuits. So why is he...
    The New Yorker, November 7, 1994, pp. 82-91
  9. The Critics
    [+]
    Books: A Balzac of the Camera (Review)
    Anthony Lane
    Atget Paris, by Laure Beaumont-Maillet and Eugene Atget
    1. Atget Paris by Laure Beaumont-Maillet and Eugene Atget
    The New Yorker, April 25, 1994, pp. 83-86
  10. The Critics
    [+]
    Books: A Most Untypical Man (Review)
    Anthony Lane
    Cyril Connolly, by Clive Fisher
    1. Cyril Connolly by Clive Fisher
    The New Yorker, January 29, 1996, pp. 84-85
  11. The Critics
    [+]
    Books: Boys Will Be Girls (Review)
    Anthony Lane
    Billy Wilder's Some Like It Hot, by Alison Castle and Dan Auiler
    1. Billy Wilder's Some Like It Hot by Alison Castle and Dan Auiler
    The New Yorker, October 22, 2001, pp. 72-76
  12. [+]
    Books: Dubliners (Review)
    Anthony Lane
    Paddy Clarke Ha Ha Ha, by Roddy Doyle
    1. Paddy Clarke Ha Ha Ha by Roddy Doyle
    The New Yorker, January 24, 1994, pp. 91-94
  13. [+]
    Books: Infinite Exercise (Review)
    Anthony Lane
    Shakespeare: The Invention of the Human, by Harold Bloom
    1. Shakespeare: The Invention of the Human by Harold Bloom
    The New Yorker, October 19, 1998, pp. 82-86
  14. The Critics
    [+]
    Books: Pearls Among Swine (Review)
    Anthony Lane
    The Butcher Boy, by Patrick McCabe
    1. The Butcher Boy by Patrick McCabe
    The New Yorker, August 23, 1993, pp. 160-161
  15. The Critics
    [+]
    Books: Picture Books (4 Reviews)
    Anthony Lane
    Great Expectations, by Deborah Chiel
    1. Great Expectations by Deborah Chiel
    2. Independence Day: Silent Zone by Stephen Molstad
    3. Alien: Resurrection by A.C. Crispin
    4. Tomorrow Never Dies by Raymond Benson
    The New Yorker, February 9, 1998, pp. 76-78
  16. [+]
    Books: Poetry and Principle (Review)
    Anthony Lane
    A Gift Imprisoned, by Ian Hamilton
    1. A Gift Imprisoned by Ian Hamilton
    The New Yorker, February 1, 1999, pp. 74-76
  17. The Critics
    [+]
    Books: Shadows and Fog (3 Reviews)
    Anthony Lane
    Steichen: A Biography, by Penelope Niven
    1. Steichen: A Biography by Penelope Niven
    2. Camera Work by Alfred Stieglitz
    3. Real Fantasies by Patricia A. Johnston
    The New Yorker, January 5, 1998, pp. 68-73
  18. The Critics
    [+]
    Books: True Lives (Review)
    Anthony Lane
    The Last Word,
    1. The Last Word
    The New Yorker, July 27, 1998, pp. 68-75
  19. Choke
    Anthony Lane
    The New Yorker, September 3, 2007, pp. 104-105
  20. Comment
    Anthony Lane
    The New Yorker, February 21, 2000, pp. 33-37
  21. Comment: Last Rites
    Anthony Lane
    The New Yorker, September 15, 1997, pp. 4-5
  22. A Critic At Large
    Anthony Lane
    Malicious Eye
    The New Yorker, July 14, 1997, pp. 68-71
  23. [+]
    A Critic at Large (Review)
    Anthony Lane
    Trick and Treat
    1. Halloween H20 - Twenty Years Later by Steve Miner
    The New Yorker, August 10, 1998, pp. 77-78
  24. The Critics
    A Critic at Large
    Anthony Lane
    The comedy of Preston Sturges
    The New Yorker, September 14, 1998, pp. 86-92
  25. The Critics
    A Critic at Large
    Anthony Lane
    The legend of Sir Ernest Shackleton
    The New Yorker, April 12, 1999, pp. 96-100
  26. The Critics
    A Critic at Large
    Anthony Lane
    The New Yorker, August 16, 1999, pp. 80-84
  27. The Critics
    A Critic at Large
    Anthony Lane
    The films of Robert Bresson
    The New Yorker, January 25, 1999, pp. 82-87
  28. The Critics
    [+]
    A Critic at Large (Review)
    Anthony Lane
    Waugh In Pieces
    1. The Complete Stories of Evelyn Waugh by Evelyn Waugh
    The New Yorker, October 4, 1999, pp. 98-105
  29. The Critics
    A Critic At Large
    Anthony Lane
    The planetarium's trip to the moon
    The New Yorker, April 10, 2000, pp. 86-90
  30. The Critics
    A Critic At Large
    Anthony Lane
    The New Yorker, December 18, 2000, pp. 94-99
  31. The Critics
    [+]
    A Critic at Large (Review)
    Anthony Lane
    Darkness Revisited
    1. Apocalypse Now Redux (1979 Film) by Francis Ford Coppola
    The New Yorker, August 6, 2001, pp. 78-80
  32. The Critics
    [+]
    A Critic At Large (Review)
    Anthony Lane
    The Hobbit Habit
    1. The Lord of the Rings by J.R.R. Tolkien
    The New Yorker, December 10, 2001, pp. 98-105
  33. The Critics
    A Critic At Large
    Anthony Lane
    Lost Horizon
    The New Yorker, February 19, 2001, pp. 208-215
  34. The Critics
    A Critic At Large
    Anthony Lane
    The New Yorker, March 26, 2001, pp. 86-91
  35. A Critic At Large
    Anthony Lane
    The New Yorker, July 8, 2002, pp. 78-83
  36. The Critics
    [+]
    A Critic At Large (Review)
    Anthony Lane
    Endless Love
    1. E.T. - The Extra-Terrestrial (1982 Film) by Steven Spielberg
    The New Yorker, March 25, 2002, pp. 86-91
  37. A Critic At Large
    Anthony Lane
    Mondo Bond
    The New Yorker, November 4, 2002, pp. 78-82
  38. A Critic At Large
    Anthony Lane
    The Fighter
    The New Yorker, June 9, 2003, pp. 80-89
  39. A Critic At Large
    Anthony Lane
    The New Yorker, November 24, 2003, pp. 97-99
  40. [+]
    A Critic At Large (Review)
    Anthony Lane
    Lost Boys
    1. Finding Neverland (2004 Film) by Marc Forster
    The New Yorker, November 22, 2004, pp. 98-103
  41. The Critics
    A Critic At Large
    Anthony Lane
    The Method President: Ronald Reagan and the movies
    The New Yorker, October 18, 2004, pp. 190-202
  42. The Critics
    A Critic At Large
    Anthony Lane
    The Disappearing Poet: Weldon Kees
    The New Yorker, July 4, 2005, pp. 74-80
  43. A Critic At Large
    Anthony Lane
    Wonderful World
    The New Yorker, December 11, 2006, pp. 66-71
  44. A Critic At Large
    Anthony Lane
    Lady Be Good
    The New Yorker, April 30, 2007, pp. 42-49
  45. A Critic At Large
    Anthony Lane
    A Boy's World
    The New Yorker, May 28, 2007, pp. 46-51
  46. A Critic At Large
    Anthony Lane
    Candid Camera
    The New Yorker, September 24, 2007, pp. 164-166
  47. [+]
    A Critic At Large (Review)
    Anthony Lane
    Waiting
    1. The Letters of Samuel Beckett, Vol. I: 1929-1940 by Martha Dow Fehsenfeld, Lois More Overbeck, and Samuel Beckett, ...
    The New Yorker, March 30, 2009, pp. 64-65
  48. A Critic At Large
    Anthony Lane
    Happy Haneke
    The New Yorker, October 5, 2009, pp. 60-67
  49. A Critic at Large: T.S. Eliot revealed
    Anthony Lane
    The New Yorker, March 10, 1997, pp. 86-91
  50. A Critic at Large: The Fall Guy
    Anthony Lane
    Buster Keaton was the first to find the funny side of every modern calamity
    The New Yorker, October 23, 1995, pp. 66-73
  51. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Drifters
    1. Bodies, Rest and Motion (1993 Film) by Michael Steinberg#2
    2. Leolo (1992 Film) by Jean-Claude Lauzon
    The New Yorker, April 12, 1993, pp. 111-114
  52. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Paying the Price
    1. Indecent Proposal (1993 Film) by Adrian Lyne
    2. The Story of Qiu Ju (1993 Film) by Yimou Zhang
    The New Yorker, April 26, 1993, pp. 107-110
  53. [+]
    The Current Cinema (Review)
    Anthony Lane
    Blank Verse
    1. Poetic Justice (1993 Film) by John Singleton
    The New Yorker, August 2, 1993, pp. 76-78
  54. [+]
    The Current Cinema (Review)
    Anthony Lane
    On the Run
    1. The Fugitive (1993 Film) by Andrew Davis
    The New Yorker, August 16, 1993, pp. 93-94
  55. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Starting Over
    1. Blue (Three Colors Trilogy) (1993 Film) by Krzysztof Kieslowski
    2. A Dangerous Woman (1993 Film) by Stephen Gyllenhaal
    The New Yorker, December 13, 1993, pp. 122-125
  56. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Flights of Fancy
    1. Volere Volare (1993 Film) by Maurizio Nichetti and Guido Manuli
    2. The Oak (1993 Film) by Lucian Pintilie
    The New Yorker, February 1, 1993, pp. 96-98
  57. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Gotta Tango!
    1. Strictly Ballroom (1992 Film) by Baz Luhrmann
    2. Untamed Heart (1993 Film) by Tony Bill
    The New Yorker, February 15, 1993, pp. 95-98
  58. [+]
    The Current Cinema (Review)
    Anthony Lane
    Reality Check
    1. The Last Action Hero (1993 Film) by John McTiernan
    The New Yorker, July 5, 1993, pp. 94-97
  59. [+]
    The Current Cinema (Review)
    Anthony Lane
    Brief Encounter
    1. Sleepless in Seattle (1993 Film) by Nora Ephron
    The New Yorker, July 19, 1993, pp. 79-81
  60. [+]
    The Current Cinema (Review)
    Anthony Lane
    On the Rocks
    1. Cliffhanger (1993 Film) by Renny Harlin
    The New Yorker, June 21, 1993, pp. 96-97
  61. [+]
    The Current Cinema (Review)
    Anthony Lane
    Out from Down Under
    1. The Last Days of Chez Nous (1993 Film) by Gillian Armstrong
    The New Yorker, March 1, 1993, pp. 105-108
  62. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Revenge of the Nerd
    1. Mad Dog and Glory (1993 Film) by John McNaughton
    2. Shadow of the Wolf (1993 Film) by Jacques Dorfmann and Pierre Magny
    The New Yorker, March 15, 1993, pp. 119-121
  63. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Crash Courses
    1. Watch It (1993 Film) by Tom Flynn
    2. Ethan Frome (1993 Film) by John Madden
    The New Yorker, March 29, 1993, pp. 102-104
  64. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Too Much Ado
    1. Much Ado About Nothing (1993 Film) by Kenneth Branagh
    The New Yorker, May 10, 1993, pp. 97-100
  65. [+]
    The Current Cinema (Review)
    Anthony Lane
    Killing Joke
    1. Man Bites Dog (1992 Film) by Remy Belvaux, Andre Bonzel, and Benoit Poelvoorde, ...
    The New Yorker, May 24, 1993, pp. 101-103
  66. [+]
    The Current Cinema (Review)
    Anthony Lane
    Going South
    1. It's All True (1993 Film) by Orson Welles, Bill Krohn, Myron Meisel, and Richard Wilson, ...
    The New Yorker, November 1, 1993, pp. 122-125
  67. [+]
    The Current Cinema (Review)
    Anthony Lane
    In Which They Serve
    1. The Remains of the Day (1993 Film) by James Ivory
    The New Yorker, November 15, 1993, pp. 114-117
  68. [+]
    The Current Cinema (Review)
    Anthony Lane
    Sheet Music
    1. The Piano (1993 Film) by Jane Campion
    The New Yorker, November 29, 1993, pp. 148-151
  69. [+]
    The Current Cinema (Review)
    Anthony Lane
    American High
    1. Dazed and Confused (1993 Film) by Richard Linklater
    The New Yorker, October 4, 1993, pp. 214-216
  70. [+]
    The Current Cinema (Review)
    Anthony Lane
    Doctor in the House
    1. Malice (1993 Film) by Harold Becker
    The New Yorker, October 18, 1993, pp. 117-120
  71. [+]
    The Current Cinema (Review)
    Anthony Lane
    Following the Leader
    1. Tito and Me (1992 Film) by Goran Markovic
    The New Yorker, September 6, 1993, pp. 110-112
  72. [+]
    The Current Cinema (Review)
    Anthony Lane
    Gilded Pleasures
    1. The Age of Innocence (1993 Film) by Martin Scorsese
    The New Yorker, September 13, 1993, pp. 121-123
  73. [+]
    The Current Cinema (Review)
    Anthony Lane
    Back to the Easel
    1. Divertimento - La Belle Noiseuse (1993 Film) by Jacques Rivette
    The New Yorker, September 20, 1993, pp. 111-113
  74. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Big Break
    1. Jimmy Hollywood (1994 Film) by Barry Levinson
    The New Yorker, April 4, 1994, pp. 97-98
  75. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Gould Variations
    1. Thirty-Two Short Films About Glenn Gould (1993 Film) by Francois Girard
    The New Yorker, April 18, 1994, pp. 104-106
  76. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Running In Packs
    1. Killing Zoe (1993 Film) by Roger Avary
    2. Airheads (1994 Film) by Michael Lehmann
    The New Yorker, August 22, 1994, pp. 113-115
  77. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Etherized
    1. Tom and Viv (1994 Film) by Brian Gilbert
    2. Mrs. Parker and the Vicious Circle (1994 Film) by Alan Rudolph
    The New Yorker, December 12, 1994, pp. 125-129
  78. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Textbook Case
    1. I.Q. (1994 Film) by Fred Schepisi
    2. Ready to Wear (1994 Film) by Robert Altman
    The New Yorker, December 26, 1994, pp. 142-146
  79. [+]
    The Current Cinema (Review)
    Anthony Lane
    Deja Vu
    1. Blink (1994 Film) by Michael Apted
    The New Yorker, February 14, 1994, pp. 95-96
  80. [+]
    The Current Cinema (Review)
    Anthony Lane
    Anything Goes
    1. I'll Do Anything (1994 Film) by James L. Brooks
    The New Yorker, February 28, 1994, pp. 99-100
  81. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Exposed
    1. Naked (1993 Film) by Mike Leigh
    2. Heaven and Earth (1993 Film) by Oliver Stone
    The New Yorker, January 17, 1994, pp. 86-88
  82. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    No Illusions
    1. Tight Little Island (1949 Film) by Alexander Mackendrick
    2. Sweet Smell of Success (1957 Film) by Alexander Mackendrick
    The New Yorker, January 31, 1994, pp. 86-88
  83. [+]
    The Current Cinema (Review)
    Anthony Lane
    Howl
    1. Wolf (1994 Film) by Mike Nichols
    The New Yorker, July 11, 1994, pp. 83-85
  84. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Spy Who Loved Me
    1. True Lies (1994 Film) by James Cameron
    2. Forrest Gump (1994 Film) by Robert Zemeckis
    The New Yorker, July 25, 1994, pp. 77-79
  85. [+]
    The Current Cinema (Review)
    Anthony Lane
    Faster, Faster
    1. Speed (1994 Film) by Jan de Bont
    The New Yorker, June 13, 1994, pp. 101-103
  86. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Shaft
    1. Germinal (1994 Film) by Claude Berri
    The New Yorker, March 14, 1994, pp. 90-91
  87. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Little Trouble in Big China
    1. The Blue Kite (1993 Film) by Zhuangzhuang Tian
    2. Serial Mom (1994 Film) by John Waters
    The New Yorker, May 2, 1994, pp. 106-108
  88. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Shock Treatment
    1. Kika (1994 Film) by Pedro Almodovar
    2. That's Entertainment! III (1994 Film) by Bud Friedgen and Michael J. Sheridan
    The New Yorker, May 16, 1994, pp. 106-108
  89. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Instant Karma
    1. Little Buddha (1994 Film) by Bernardo Bertolucci
    2. Even Cowgirls Get the Blues (1993 Film) by Gus Van Sant
    The New Yorker, May 30, 1994, pp. 97-99
  90. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Used Parts
    1. Mary Shelley's Frankenstein (1994 Film) by Kenneth Branagh
    2. An Unforgettable Summer (1994 Film) by Lucian Pintilie
    The New Yorker, November 14, 1994, pp. 141-146
  91. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Red Blues
    1. Red (Three Colors Trilogy) (1994 Film) by Krzysztof Kieslowski
    2. To Live (1994 Film) by Yimou Zhang
    The New Yorker, November 28, 1994, pp. 155-160
  92. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Fun With Killers
    1. The Last Seduction (1994 Film) by John Dahl
    2. Bullets Over Broadway (1994 Film) by Woody Allen
    The New Yorker, October 24, 1994, pp. 100-104
  93. [+]
    The Current Cinema (Review)
    Anthony Lane
    Multicultural Affairs
    1. Cafe au Lait (1994 Film) by Mathieu Kassovitz
    The New Yorker, September 12, 1994, pp. 96-98
  94. [+]
    The Current Cinema (Review)
    Anthony Lane
    In the Big House
    1. The Shawshank Redemption (1994 Film) by Frank Darabont
    The New Yorker, September 26, 1994, pp. 108-110
  95. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Vast Seduction
    1. Don Juan DeMarco (1995 Film) by Jeremy Leven
    The New Yorker, April 10, 1995, p. 103
  96. [+]
    The Current Cinema (Review)
    Anthony Lane
    Blowup
    1. Wings of Courage (1995 Film) by Jean-Jacques Annaud
    The New Yorker, April 24, 1995, pp. 120-123
  97. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Big Roundup
    1. The Usual Suspects (1995 Film) by Bryan Singer
    The New Yorker, August 14, 1995, p. 85
  98. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Trading Places
    1. White Man's Burden (1995 Film) by Desmond Nakano
    2. Georgia (1995 Film) by Ulu Grosbard
    The New Yorker, December 11, 1995, pp. 107-110
  99. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Beasts and Beauties
    1. Heat (1995 Film) by Michael Mann
    2. Sabrina (1995 Film) by Sydney Pollack
    3. Jumanji (1995 Film) by Joe Johnston
    The New Yorker, December 25, 1995, pp. 145-149
  100. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Scare Tactics
    1. In the Mouth of Madness (1994 Film) by John Carpenter
    2. Shallow Grave (1994 Film) by Danny Boyle
    The New Yorker, February 13, 1995, pp. 92-94
  101. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Power Mad
    1. The Madness of King George (1994 Film) by Nicholas Hytner
    2. Death and the Maiden (1994 Film) by Roman Polanski
    The New Yorker, January 16, 1995, pp. 86-88
  102. [+]
    The Current Cinema (Review)
    Anthony Lane
    Up All Night
    1. Before Sunrise (1995 Film) by Richard Linklater
    The New Yorker, January 30, 1995, pp. 93-95
  103. [+]
    The Current Cinema (Review)
    Anthony Lane
    Round the Table
    1. First Knight (1995 Film) by Jerry Zucker
    The New Yorker, July 17, 1995, pp. 84-85
  104. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    It Had To Be Hugh
    1. Nine Months (1995 Film) by Chris Columbus
    The New Yorker, July 24, 1995, pp. 82-84
  105. [+]
    The Current Cinema (Review)
    Anthony Lane
    Great Scot
    1. Braveheart (1995 Film) by Mel Gibson
    The New Yorker, June 5, 1995, pp. 94-96
  106. [+]
    The Current Cinema (Review)
    Anthony Lane
    Flirty Harry
    1. The Bridges of Madison County (1995 Film) by Clint Eastwood
    The New Yorker, June 19, 1995, pp. 97-99
  107. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Balkan Homecoming
    1. Before the Rain (1994 Film) by Milcho Manchevski
    2. The Quick and the Dead (1995 Film) by Sam Raimi
    The New Yorker, March 13, 1995, pp. 109-111
  108. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Sins of the Fathers
    1. Priest (1994 Film) by Antonia Bird
    The New Yorker, March 27, 1995, pp. 107-109
  109. [+]
    The Current Cinema (Review)
    Anthony Lane
    Under Stalin's Sun
    1. Burnt by the Sun (1994 Film) by Nikita Mikhalkov
    The New Yorker, May 8, 1995, pp. 92-94
  110. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Romantic Triangle
    1. While You Were Sleeping (1995 Film) by Jon Turteltaub
    2. French Kiss (1995 Film) by Lawrence Kasdan
    3. Forget Paris (1995 Film) by Billy Crystal
    The New Yorker, May 22, 1995, pp. 96-97
  111. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Kin and Killers
    1. Home for the Holidays (1995 Film) by Jodie Foster
    2. Copycat (1995 Film) by Jon Amiel
    The New Yorker, November 13, 1995, pp. 128-131
  112. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Oldfinger
    1. GoldenEye (1995 Film) by Martin Campbell
    2. Carrington (1995 Film) by Christopher Hampton
    The New Yorker, November 27, 1995, pp. 105-108
  113. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Starkness Visible
    1. Showgirls (1995 Film) by Paul Verhoeven
    2. Strange Days (1995 Film) by Kathryn Bigelow
    The New Yorker, October 9, 1995, pp. 95-97
  114. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Scarlet Women
    1. Mighty Aphrodite (1995 Film) by Woody Allen
    2. The Scarlet Letter (1995 Film) by Roland Joffe
    The New Yorker, October 30, 1995, pp. 112-114
  115. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Style Wars
    1. Desperado (1995 Film) by Robert Rodriguez
    2. To Wong Foo, Thanks for Everything! Julie Newmar (1995 Film) by Beeban Kidron
    The New Yorker, September 11, 1995, pp. 94-96
  116. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Cracking Up
    1. Clockers (1995 Film) by Spike Lee
    2. Kids (1995 Film) by Larry Clark
    The New Yorker, September 18, 1995, pp. 107-108
  117. [+]
    The Current Cinema (Review)
    Anthony Lane
    Jane's World
    1. Persuasion (1995 Film) by Roger Michell
    The New Yorker, September 25, 1995, pp. 107-108
  118. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Bad Soldier
    1. Sgt. Bilko (1996 Film) by Jonathan Lynn
    The New Yorker, April 8, 1996, pp. 106-107
  119. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    On the Peach
    1. James and the Giant Peach (1996 Film) by Henry Selick
    2. Nelly and Monsieur Arnaud (1995 Film) by Claude Sautet
    The New Yorker, April 22, 1996, pp. 90-92
  120. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Dumbing of Emma
    1. Emma (1996 Film) by Douglas McGrath#2
    2. Kingpin (1996 Film) by Peter Farrelly and Bobby Farrelly
    The New Yorker, August 5, 1996, pp. 76-77
  121. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    All That Jazz
    1. Kansas City (1996 Film) by Robert Altman
    2. Basquiat (1996 Film) by Julian Schnabel
    The New Yorker, August 19, 1996, pp. 78-79
  122. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Starlight Barking
    1. 101 Dalmatians~~One Hundred and One Dalmatians (1996 Film) by Stephen Herek
    2. Star Trek - First Contact (1996 Film) by Jonathan Frakes
    The New Yorker, December 9, 1996, pp. 119-123
  123. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    What Friends Are For
    1. French Twist (1995 Film) by Josiane Balasko
    2. Waiting to Exhale (1995 Film) by Forest Whitaker
    The New Yorker, January 15, 1996, pp. 76-78
  124. [+]
    The Current Cinema (5 Reviews)
    Anthony Lane
    Lone Stars
    1. The Hunchback of Notre Dame (1996 Film) by Kevin Kline, Jason Alexander, Demi Moore, and Tom Hulce, ...
    2. The Cable Guy (1996 Film) by Ben Stiller
    3. The Nutty Professor (1996 Film) by Tom Shadyac
    4. Eraser (1996 Film) by Charles Russell
    5. Lone Star (1996 Film) by John Sayles
    The New Yorker, July 8, 1996, pp. 84-87
  125. [+]
    The Current Cinema (Review)
    Anthony Lane
    Smack in the Face
    1. Trainspotting (1996 Film) by Danny Boyle
    The New Yorker, July 22, 1996, pp. 78-79
  126. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    First Tango in Tuscany
    1. Stealing Beauty (1996 Film) by Bernardo Bertolucci
    2. The Horseman on the Roof (1995 Film) by Jean-Paul Rappeneau
    The New Yorker, June 10, 1996, pp. 90-92
  127. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Republicans With Guns
    1. Land and Freedom (1996 Film) by Ken Loach
    2. The Flower of My Secret (1996 Film) by Pedro Almodovar
    3. Fargo (1996 Film) by Joel Coen
    The New Yorker, March 25, 1996, pp. 97-99
  128. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Twister (1996 Film), by Jan de Bont
    1. Twister (1996 Film) by Jan de Bont
    2. Barb Wire (1996 Film) by David Hogan
    The New Yorker, May 20, 1996, p. 101
  129. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Money for Nothing
    1. Ransom (1996 Film) by Ron Howard
    2. High School High (1996 Film) by Hart Bochner
    The New Yorker, November 11, 1996, pp. 124-127
  130. [+]
    The Current Cinema (Review)
    Anthony Lane
    Swept Away
    1. The English Patient (1996 Film) by Anthony Minghella
    The New Yorker, November 25, 1996, pp. 118-121
  131. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Thrill of a Cause
    1. Michael Collins (1996 Film) by Neil Jordan
    The New Yorker, October 14, 1996, pp. 101-102
  132. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Goose Bumps
    1. Fly Away Home (1996 Film) by Carroll Ballard
    2. American Buffalo (1996 Film) by Michael Corrente
    The New Yorker, September 16, 1996, pp. 97-100
  133. [+]
    The Current Cinema (Review)
    Anthony Lane
    Still Hazy After All These Years
    1. Beyond the Clouds (1995 Film) by Michelangelo Antonioni and Wim Wenders
    The New Yorker, September 30, 1996, pp. 88-90
  134. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Holy Fools
    1. The Saint (1997 Film) by Phillip Noyce
    2. Paradise Road (1997 Film) by Bruce Beresford
    The New Yorker, April 14, 1997, pp. 88-89
  135. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Untrue Blue
    1. Cop Land (1997 Film) by James Mangold
    2. Conspiracy Theory (1997 Film) by Richard Donner
    The New Yorker, August 18, 1997, pp. 77-78
  136. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Shipping News
    1. Titanic (1997 Film) by James Cameron
    The New Yorker, December 15, 1997, pp. 156-159
  137. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    All Beauty, No Beast
    1. In Love and War (1996 Film) by Richard Attenborough
    2. Fierce Creatures (1997 Film) by Robert Young and Fred Schepisi
    The New Yorker, February 3, 1997, pp. 84-85
  138. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Thrillahs
    1. When We Were Kings (1996 Film) by Leon Gast
    2. Blood and Wine (1997 Film) by Bob Rafelson
    The New Yorker, February 17, 1997, pp. 92-94
  139. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Immaterial Girls
    1. Evita (1996 Film) by Alan Parker
    2. The Portrait of a Lady (1996 Film) by Jane Campion
    The New Yorker, January 6, 1997, pp. 74-75
  140. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Housecleaning
    1. La Ceremonie (1996 Film) by Claude Chabrol
    2. Marvin's Room (1996 Film) by Jerry Zaks
    The New Yorker, January 20, 1997, pp. 98-99
  141. [+]
    The Current Cinema (5 Reviews)
    Anthony Lane
    Summer Olympics
    1. Men in Black (1997 Film) by Barry Sonnenfeld
    2. Batman and Robin (1997 Film) by Joel Schumacher
    3. Speed 2 - Cruise Control (1997 Film) by Jan de Bont
    4. Hercules (1997 Film) by John Musker and Ron Clements
    5. Contempt (1963 Film) by Jean-Luc Godard
    The New Yorker, July 7, 1997, pp. 76-78
  142. [+]
    The Current Cinema (Review)
    Anthony Lane
    Spaced Out
    1. Contact (1997 Film) by Robert Zemeckis
    The New Yorker, July 21, 1997, pp. 81-82
  143. [+]
    The Current Cinema (Review)
    Anthony Lane
    Winging It
    1. Con Air (1997 Film) by Simon West
    The New Yorker, June 9, 1997, pp. 107-108
  144. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Blood Buddies
    1. Donnie Brasco (1997 Film) by Mike Newell
    2. The Eighth Day (1997 Film) by Jaco van Dormael
    The New Yorker, March 17, 1997, pp. 121-123
  145. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Off the Road
    1. Crash (1996 Film) by David Cronenberg
    2. Liar Liar (1997 Film) by Tom Shadyac
    The New Yorker, March 31, 1997, pp. 106-107
  146. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Reds in Bed
    1. Children of the Revolution (1996 Film) by Peter Duncan
    2. Broken English (1997 Film) by Gregor Nicholas
    The New Yorker, May 12, 1997, pp. 104-107
  147. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Bandstand
    1. Brassed Off! (1997 Film) by Mark Herman
    2. The Van (1997 Film) by Stephen Frears
    The New Yorker, May 26, 1997, pp. 88-89
  148. [+]
    The Current Cinema (Review)
    Anthony Lane
    Shooting the Truth
    1. Mad City (1997 Film) by Constantin Costa-Gavras
    The New Yorker, November 17, 1997, pp. 114-115
  149. [+]
    The Current Cinema (Review)
    Anthony Lane
    Going Nuclear
    1. The Peacemaker (1997 Film) by Mimi Leder
    The New Yorker, October 6, 1997, pp. 125-126
  150. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Arms and the Woman
    1. G.I. Jane (1997 Film) by Ridley Scott
    2. She's So Lovely (1997 Film) by Nick Cassavetes
    The New Yorker, September 8, 1997, pp. 86-92
  151. [+]
    The Current Cinema (Review)
    Anthony Lane
    On the Town
    1. L.A. Confidential (1997 Film) by Curtis Hanson
    The New Yorker, September 22, 1997, pp. 141-142
  152. [+]
    The Current Cinema (Review)
    Anthony Lane
    In the Know
    1. The Spanish Prisoner (1997 Film) by David Mamet
    The New Yorker, April 13, 1998, pp. 81-82
  153. [+]
    The Current Cinema (Review)
    Anthony Lane
    Three's a Crowd
    1. Two Girls and a Guy (1998 Film) by James Toback
    The New Yorker, April 27, 1998, p. 166
  154. [+]
    The Current Cinema (Review)
    Anthony Lane
    Soldiering On
    1. Saving Private Ryan (1998 Film) by Steven Spielberg
    The New Yorker, August 3, 1998, pp. 77-78
  155. [+]
    The Current Cinema (Review)
    Anthony Lane
    Bed and Bedded
    1. Your Friends and Neighbors (1998 Film) by Neil LaBute
    The New Yorker, August 24, 1998, pp. 159-160
  156. [+]
    The Current Cinema (Review)
    Anthony Lane
    Renaissance Teen
    1. Rushmore (1998 Film) by Wes Anderson
    The New Yorker, December 7, 1998, pp. 214-216
  157. [+]
    The Current Cinema (4 Reviews)
    Anthony Lane
    Doing Battle
    1. The Thin Red Line (1998 Film) by Terrence Malick
    2. You've Got Mail (1998 Film) by Nora Ephron
    3. Stepmom (1998 Film) by Chris Columbus
    4. The Prince of Egypt (1998 Film) by Simon Wells and Steve Hickner
    The New Yorker, December 28, 1998, pp. 138-140
  158. [+]
    The Current Cinema (Review)
    Anthony Lane
    In Your Face
    1. Nil by Mouth (1997 Film) by Gary Oldman
    The New Yorker, February 9, 1998, pp. 83-84
  159. [+]
    The Current Cinema (Review)
    Anthony Lane
    Lo and Behold
    1. Lolita (1998 Film) by Adrian Lyne
    The New Yorker, February 23, 1998, pp. 182-184
  160. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Split Screen
    1. Jackie Brown (1997 Film) by Quentin Tarantino
    2. Oscar and Lucinda (1997 Film) by Gillian Armstrong
    The New Yorker, January 12, 1998, pp. 83-84
  161. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    In the Flesh
    1. Spice World (1998 Film) by Bob Spiers
    2. Live Flesh (1997 Film) by Pedro Almodovar
    The New Yorker, January 26, 1998, pp. 85-86
  162. [+]
    The Current Cinema (Review)
    Anthony Lane
    Jack Be Quick
    1. Out of Sight (1998 Film) by Steven Soderbergh
    The New Yorker, July 6, 1998, p. 78
  163. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Lost Boy
    1. The Thief (1997 Film) by Pavel Chukhraj
    The New Yorker, July 20, 1998, p. 78
  164. [+]
    The Current Cinema (Review)
    Anthony Lane
    Look and Yearn
    1. The Truman Show (1998 Film) by Peter Weir
    The New Yorker, June 15, 1998, p. 80
  165. [+]
    The Current Cinema (Review)
    Anthony Lane
    Golden Oldies
    1. Twilight (1998 Film) by Robert Benton
    The New Yorker, March 16, 1998, pp. 83-84
  166. [+]
    The Current Cinema (Review)
    Anthony Lane
    Love and Death
    1. Fireworks (1998 Film) by Takeshi "Beat" Kitano
    The New Yorker, March 30, 1998, pp. 124-125
  167. [+]
    The Current Cinema (Review)
    Anthony Lane
    Apocalypse Not
    1. Deep Impact (1998 Film) by Mimi Leder
    The New Yorker, May 18, 1998, pp. 89-90
  168. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Father of the Bride
    1. Gods and Monsters (1998 Film) by Bill Condon
    2. Velvet Goldmine (1998 Film) by Todd Haynes
    The New Yorker, November 9, 1998, pp. 106-108
  169. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Dying for It
    1. Celebrity (1998 Film) by Woody Allen
    2. Meet Joe Black (1998 Film) by Martin Brest
    The New Yorker, November 23, 1998, pp. 113-114
  170. [+]
    The Current Cinema (Review)
    Anthony Lane
    On the Road
    1. Ronin (1998 Film) by John Frankenheimer
    The New Yorker, October 5, 1998, pp. 113-114
  171. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Brush Work
    1. Love Is the Devil (1998 Film) by John Maybury
    The New Yorker, October 12, 1998, pp. 82-84
  172. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    No Picnic
    1. Antz (1998 Film) by Eric Darnell and Tim Johnson
    2. Happiness (1998 Film) by Todd Solondz
    The New Yorker, October 19, 1998, pp. 93-94
  173. [+]
    The Current Cinema (Review)
    Anthony Lane
    Retouched
    1. Touch of Evil (1958 Film) by Orson Welles
    The New Yorker, September 21, 1998, p. 146
  174. [+]
    The Current Cinema (Review)
    Anthony Lane
    Winging It
    1. The Dreamlife of Angels (1998 Film) by Erick Zonca
    The New Yorker, April 5, 1999, pp. 91-92
  175. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Young Blood
    1. Go (1999 Film) by Doug Liman
    2. SLC Punk! (1999 Film) by James Merendino
    The New Yorker, April 19, 1999, pp. 106-108
  176. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Darkness Risible
    1. The Haunting (1999 Film) by Jan de Bont
    2. Inspector Gadget (1999 Film) by David Kellogg
    The New Yorker, August 2, 1999, p. 88
  177. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Lucky Stars
    1. Bowfinger (1999 Film) by Frank oz
    2. The Gambler (1997 Film) by Karoly Makk
    The New Yorker, August 16, 1999, p. 90
  178. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Stagestruck
    1. Cradle Will Rock (1999 Film) by Tim Robbins
    2. The Cider House Rules (1999 Film) by Lasse Hallstrom
    The New Yorker, December 13, 1999, pp. 111-113
  179. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Killing Time
    1. The Talented Mr. Ripley (1999 Film) by Anthony Minghella
    2. Anna and the King (1999 Film) by Andy Tennant
    The New Yorker, December 27, 1999, pp. 128-129
  180. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Happy Together
    1. Playing by Heart (1998 Film) by Willard Carroll
    2. My Name Is Joe (1998 Film) by Ken Loach
    The New Yorker, February 1, 1999, p. 84
  181. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Dead Zone
    1. Payback (1999 Film) by Brian Helgeland
    2. The Children of Heaven (1999 Film) by Majid Majidi
    The New Yorker, February 15, 1999, pp. 93-94
  182. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Dying Falls
    1. The Hi-Lo Country (1998 Film) by Stephen Frears
    2. Hilary and Jackie (1998 Film) by Anand Tucker
    The New Yorker, January 18, 1999, p. 88
  183. [+]
    The Current Cinema (Review)
    Anthony Lane
    All for Love
    1. An Ideal Husband (1999 Film) by Oliver Parker
    The New Yorker, July 5, 1999, p. 89
  184. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Blown Away
    1. Arlington Road (1999 Film) by Mark Pellington
    2. The Lovers on the Bridge (1991 Film) by Leos Carax
    The New Yorker, July 19, 1999, p. 98
  185. [+]
    The Current Cinema (Review)
    Anthony Lane
    Boy Meets Congress
    1. Notting Hill (1999 Film) by Roger Michell
    The New Yorker, June 7, 1999, p. 96
  186. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Snuff and Nonsense
    1. Eight Millimeter (1999 Film) by Joel Schumacher
    2. Lock, Stock and Two Smoking Barrels (1998 Film) by Guy Ritchie
    The New Yorker, March 8, 1999, p. 94
  187. The Current Cinema
    Anthony Lane
    The Last Emperor: Stanley Kubrick
    The New Yorker, March 22, 1999, pp. 120-122
  188. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Changelings
    1. The Mummy (1999 Film) by Stephen Sommers and Adrian Biddle
    2. eXistenZ (1999 Film) by David Cronenberg
    The New Yorker, May 10, 1999, p. 104
  189. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Star Bones
    1. Star Wars - Episode I, The Phantom Menace (1999 Film) by George Lucas
    The New Yorker, May 24, 1999, pp. 80-83
  190. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    White Nights
    1. Bringing Out the Dead (1999 Film) by Martin Scorsese
    2. The Story of Us (1999 Film) by Rob Reiner
    3. The Straight Story (1999 Film) by David Lynch
    The New Yorker, November 1, 1999, pp. 123-125
  191. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Beyond Belief
    1. Dogma (1999 Film) by Kevin Patrick Smith
    2. Anywhere But Here (1999 Film) by Wayne Wang
    The New Yorker, November 15, 1999, pp. 115-117
  192. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    All Over the Map
    1. The World Is Not Enough (1999 Film) by Michael Apted
    2. Liberty Heights (1999 Film) by Barry Levinson
    3. Mansfield Park (1999 Film) by Patricia Rozema
    The New Yorker, November 29, 1999, pp. 138-141
  193. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    In a Lonely Place
    1. The Limey (1999 Film) by Steven Soderbergh
    2. Happy, Texas (1999 Film) by Mark Illsley
    The New Yorker, October 11, 1999, pp. 106-107
  194. [+]
    The Current Cinema (Review)
    Anthony Lane
    Crossing the Line
    1. West Beirut (1999 Film) by Ziad Doueiri
    The New Yorker, September 6, 1999, pp. 88-89
  195. [+]
    The Current Cinema (Review)
    Anthony Lane
    To the Limit
    1. American Psycho (2000 Film) by Mary Harron
    The New Yorker, April 17, 2000, pp. 124-128
  196. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Fat of the Land
    1. Nutty Professor II - The Klumps (2000 Film) by Peter Segal
    2. The Tao of Steve (2000 Film) by Jenniphr Goodman
    The New Yorker, August 7, 2000, pp. 76-78
  197. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Yippie Politics At Play
    1. Cecil B. DeMented (2000 Film) by John Waters
    2. Steal This Movie! (2000 Film) by Robert Greenwald
    The New Yorker, August 21, 2000, pp. 170-171
  198. [+]
    The Current Cinema (Review)
    Anthony Lane
    Come Fly With Me
    1. Crouching Tiger, Hidden Dragon (2000 Film) by Ang Lee
    The New Yorker, December 11, 2000, pp. 129-134
  199. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Changing Places
    1. The Beach (2000 Film) by Danny Boyle
    2. Simpatico (1999 Film) by Matthew Warchus
    The New Yorker, February 14, 2000, pp. 84-85
  200. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    High Times
    1. Holy Smoke! (1999 Film) by Jane Campion
    2. Fantasia 2000 (1999 Film) by Paul Brizzi, Hendel Butoy, Eric Goldberg, and James Algar, ...
    The New Yorker, January 17, 2000, pp. 86-87
  201. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Pluck and Cluck
    1. The Perfect Storm (2000 Film) by Wolfgang Petersen
    2. Chicken Run (2000 Film) by Peter Lord and Nick Park
    The New Yorker, July 10, 2000, pp. 77-78
  202. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Love Children
    1. Alice and Martin (2000 Film) by Andre Techine
    2. Wonderland (1999 Film) by Michael Winterbottom
    The New Yorker, July 31, 2000, pp. 84-88
  203. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    In Your Face
    1. Mission Impossible 2 (2000 Film) by John Woo
    The New Yorker, June 5, 2000, pp. 82-84
  204. [+]
    The Current Cinema (Review)
    Anthony Lane
    Telling Time
    1. Time Regained (2000 Film) by Raoul Ruiz
    The New Yorker, June 19, 2000, pp. 187-189
  205. [+]
    The Current Cinema (4 Reviews)
    Anthony Lane
    Shades of Black
    1. The Whole Nine Yards (2000 Film) by Jonathan Lynn
    2. Drowning Mona (2000 Film) by Nick Gomez
    3. Alone (1998 Film) by Erick Zonca
    4. The Little Thief (1999 Film) by Erick Zonca
    The New Yorker, March 6, 2000, pp. 98-102
  206. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Spaced Out
    1. Mission To Mars (2000 Film) by Brian De Palma
    2. The Ninth Gate (1999 Film) by Roman Polanski
    3. Orphans (1998 Film) by Peter Mullan
    The New Yorker, March 20, 2000, pp. 143-148
  207. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Empire Strikes Back
    1. Gladiator (2000 Film) by Ridley Scott
    The New Yorker, May 8, 2000, pp. 125-126
  208. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Cookie Monsters
    1. Battlefield Earth (2000 Film) by Roger Christian
    2. Sweet and Lowdown (1999 Film) by Woody Allen
    The New Yorker, May 22, 2000, pp. 98-105
  209. [+]
    The Current Cinema (Review)
    Anthony Lane
    Dolls Before Guys
    1. Charlie's Angels (2000 Film) by Joseph McGinty Mitchell
    The New Yorker, November 13, 2000, pp. 183-188
  210. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Body of Writing
    1. Quills (2000 Film) by Philip Kaufman
    2. The Grinch (2000 Film) by Ron Howard
    The New Yorker, November 27, 2000, p. 181
  211. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Actors and Addicts
    1. Bamboozled (2000 Film) by Spike Lee
    2. Requiem for a Dream (2000 Film) by Darren Aronofsky
    The New Yorker, October 9, 2000, pp. 100-104
  212. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Blood on the Tracks
    1. The Yards (2000 Film) by James Gray
    2. Billy Elliot (2000 Film) by Stephen Daldry
    The New Yorker, October 30, 2000, pp. 114-118
  213. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Pursuits of Love
    1. Nurse Betty (2000 Film) by Neil LaBute
    2. Whipped (2000 Film) by Peter M. Cohen
    The New Yorker, September 11, 2000, pp. 104-108
  214. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Singin' Through the Pain
    1. Dancer in the Dark (2000 Film) by Lars von Trier
    2. Human Resources (2000 Film) by Laurent Cantet
    The New Yorker, September 25, 2000, pp. 100-104
  215. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Going to the Dogs
    1. The Tailor of Panama (2001 Film) by John Boorman
    2. Amores Perros (2000 Film) by Alejandro Gonzalez Inarritu
    The New Yorker, April 2, 2001, pp. 98-108
  216. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Devil and Miss Jones
    1. Bridget Jones's Diary (2001 Film) by Sharon Maguire
    2. Chopper (2000 Film) by Andrew Dominik
    The New Yorker, April 16, 2001, pp. 90-94
  217. [+]
    The Current Cinema (Review)
    Anthony Lane
    Sweden Swings
    1. Together (2000 Film) by Lukas Moodysson
    The New Yorker, August 20, 2001, pp. 174-175
  218. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Greate Divide
    1. Code Unknown (2000 Film) by Michael Haneke
    The New Yorker, December 3, 2001, pp. 105-110
  219. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Bloody Relations
    1. The Royal Tenenbaums (2001 Film) by Wes Anderson
    2. The Business of Strangers (2001 Film) by Patrick Stettner
    The New Yorker, December 17, 2001, pp. 97-98
  220. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Renaissance Man
    1. Hannibal (2001 Film) by Ridley Scott
    The New Yorker, February 12, 2001, pp. 88-90
  221. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Liv and Love
    1. Faithless (2000 Film) by Liv Ullmann
    2. Snatch (2000 Film) by Guy Ritchie
    The New Yorker, January 29, 2001, pp. 94-98
  222. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Animal Acts
    1. Cats and Dogs (2001 Film) by Lawrence Guterman
    2. The Crimson Rivers (2000 Film) by Mathieu Kassovitz
    The New Yorker, July 9, 2001, pp. 94-98
  223. [+]
    The Current Cinema (Review)
    Anthony Lane
    Claws
    1. Jurassic Park III (2001 Film) by Joe Johnston
    The New Yorker, July 23, 2001, pp. 86-90
  224. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Bombs Away
    1. Pearl Harbor (2001 Film) by Michael Bay
    The New Yorker, June 4, 2001, pp. 82-84
  225. [+]
    The Current Cinema (Review)
    Anthony Lane
    How Did I Get Here?
    1. Memento (2000 Film) by Christopher Nolan
    The New Yorker, March 19, 2001, pp. 155-164
  226. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Trust Me
    1. With A Friend Like Harry (2000 Film) by Dominik Moll
    2. The Golden Bowl (2000 Film) by James Ivory
    The New Yorker, May 7, 2001, pp. 100-104
  227. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Fantasy Land
    1. Shrek (2001 Film) by Andrew Adamson and Vicky Jenson
    2. Under the Sand (2000 Film) by Francois Ozon
    The New Yorker, May 21, 2001, pp. 108-122
  228. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    In the Shadows
    1. The Man Who Wasn't There (2001 Film) by Joel Coen and Ethan Coen
    2. Amelie (2001 Film) by Jean-Pierre Jeunet
    The New Yorker, November 5, 2001, pp. 104-108
  229. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Nobody Beats the Wizard
    1. Harry Potter and the Sorcerer's Stone (2001 Film) by Chris Columbus
    The New Yorker, November 19, 2001, pp. 78-80
  230. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Road Trips
    1. Mulholland Drive (2001 Film) by David Lynch
    2. Joy Ride (2001 Film) by John Dahl
    The New Yorker, October 8, 2001, pp. 88-89
  231. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Father Figures
    1. L.I.E. (2001 Film) by Michael Cuesta
    2. Our Lady of the Assassins (2000 Film) by Barbet Schroeder
    The New Yorker, September 10, 2001, pp. 110-114
  232. [+]
    The Current Cinema (Review)
    Anthony Lane
    Home Fires
    1. Panic Room (2002 Film) by David Fincher
    The New Yorker, April 8, 2002, pp. 95-100
  233. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Secret Lives
    1. Enigma (2001 Film) by Michael Apted
    2. World Traveler (2002 Film) by Bart Freundlich
    The New Yorker, April 22, 2002, pp. 208-209
  234. [+]
    The Current Cinema (Review)
    Anthony Lane
    Field Trip
    1. Signs (2002 Film) by M. Night Shyamalan
    The New Yorker, August 12, 2002, pp. 82-86
  235. [+]
    The Current Cinema (Review)
    Anthony Lane
    Love and War
    1. The Quiet American (2002 Film) by Phillip Noyce
    The New Yorker, December 2, 2002, pp. 117-130
  236. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Looking Back
    1. About Schmidt (2002 Film) by Alexander Payne
    2. Russian Ark (2002 Film) by Aleksandr Sokurov
    The New Yorker, December 16, 2002, pp. 106-118
  237. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Shock Waves
    1. The Son's Room (2001 Film) by Nanni Moretti
    2. Storytelling (2001 Film) by Todd Solondz
    The New Yorker, February 4, 2002, pp. 82-86
  238. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Making Arrangements
    1. Monsoon Wedding (2001 Film) by Mira Nair
    2. Last Orders (2002 Film) by Fred Schepisi
    The New Yorker, February 18, 2002, pp. 199-201
  239. [+]
    The Current Cinema (Review)
    Anthony Lane
    Game Boy
    1. A Beautiful Mind (2001 Film) by Ron Howard
    The New Yorker, January 7, 2002, pp. 82-86
  240. [+]
    The Current Cinema (Review)
    Anthony Lane
    Whowillhavedunit
    1. Minority Report (2002 Film) by Steven Spielberg
    The New Yorker, July 1, 2002, pp. 96-100
  241. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Under Pressure
    1. K-19: The Widowmaker (2002 Film) by Kathryn Bigelow
    2. Tadpole (2002 Film) by Gary Winick
    The New Yorker, July 29, 2002, pp. 92-96
  242. [+]
    The Current Cinema (Review)
    Anthony Lane
    Sex Mex
    1. Y Tu Mama Tambien (2001 Film) by Alfonso Cuaron
    The New Yorker, March 18, 2002, pp. 152-156
  243. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Tangled Webs
    1. Spider-Man (2002 Film) by Sam Raimi
    2. The Lady and the Duke (2001 Film) by Eric Rohmer
    The New Yorker, May 13, 2002, pp. 96-97
  244. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Odd Couples
    1. Insomnia (2002 Film) by Christopher Nolan
    2. Late Marriage (2001 Film) by Dover Koshashvili
    The New Yorker, May 27, 2002, pp. 124-132
  245. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Men Trouble
    1. The Truth About Charlie (2002 Film) by Jonathan Demme
    2. Roger Dodger (2002 Film) by Dylan Kidd
    The New Yorker, November 4, 2002, pp. 110-118
  246. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Worlds Apart
    1. Far From Heaven (2002 Film) by Todd Haynes
    2. Ararat (2002 Film) by Atom Egoyan
    The New Yorker, November 18, 2002, pp. 104-122
  247. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Dying Art
    1. Red Dragon (2002 Film) by Brett Ratner
    2. White Oleander (2002 Film) by Peter Kosminsky
    The New Yorker, October 14, 2002, pp. 226-227
  248. [+]
    The Current Cinema (Review)
    Anthony Lane
    Out of the Past
    1. In Praise of Love (2001 Film) by Jean-Luc Godard
    The New Yorker, September 2, 2002, pp. 152-156
  249. [+]
    The Current Cinema (Review)
    Anthony Lane
    Femmes Fatales
    1. 8 Women~~Eight Women (2002 Film) by Francois Ozon
    The New Yorker, September 16, 2002, pp. 106-107
  250. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Foreign Parts
    1. Sweet Home Alabama (2002 Film) by Andy Tennant
    2. The Four Feathers (2002 Film) by Shekhar Kapur
    The New Yorker, September 30, 2002, pp. 145-150
  251. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Credible Hulks
    1. The Good Thief (2003 Film) by Neil Jordan
    2. The Man Without a Past (2002 Film) by Aki Kaurismaki
    The New Yorker, April 7, 2003, pp. 96-97
  252. The Current Cinema
    Anthony Lane
    The New Yorker, April 21, 2003, pp. 194-195
  253. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Brothers and Sisters
    1. Buffalo Soldiers (2001 Film) by Gregor Jordan
    2. The Magdalene Sisters (2002 Film) by Peter Mullan
    The New Yorker, August 11, 2003, pp. 84-88
  254. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Life In Pictures
    1. American Splendor (2003 Film) by Shari Springer Berman and Robert Pulcini
    2. Le Divorce (2003 Film) by James Ivory
    The New Yorker, August 18, 2003, pp. 150-151
  255. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Strange Lands
    1. In America (2002 Film) by Jim Sheridan
    2. The Triplets of Belleville (2003 Film) by Sylvain Chomet
    The New Yorker, December 1, 2003, pp. 118-124
  256. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    His Story, Her Story
    1. Big Fish (2003 Film) by Tim Burton
    2. Girl with a Pearl Earring (2003 Film) by Peter Webber
    The New Yorker, December 15, 2003, pp. 119-132
  257. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Don of Creation
    1. Lost in La Mancha (2002 Film) by Louis Pepe and Keith Fulton
    2. The Guru (2003 Film) by Daisy von Scherler Mayer
    The New Yorker, February 3, 2003, pp. 98-102
  258. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Men's Worlds
    1. Dark Blue (2002 Film) by Ron Shelton
    2. All the Real Girls (2003 Film) by David Gordon Green
    The New Yorker, February 17, 2003, pp. 204-205
  259. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Fantasyland
    1. Chicago (2002 Film) by Rob Marshall
    2. The Lord of the Rings: The Two Towers (2002 Film) by Peter Jackson
    The New Yorker, January 6, 2003, pp. 90-94
  260. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Trouble in the Streets
    1. Cidade de Deus (2002 Film) by Fernando Meirelles
    2. Divine Intervention (2002 Film) by Elia Suleiman
    The New Yorker, January 20, 2003, pp. 94-98
  261. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Metal Guru
    1. Terminator 3 - Rise of the Machines (2003 Film) by Jonathan Mostow
    The New Yorker, July 14, 2003, pp. 84-86
  262. [+]
    The Current Cinema (Review)
    Anthony Lane
    Fishy Business
    1. Finding Nemo (2003 Film) by Lee Unkrich and Andrew Stanton
    The New Yorker, June 9, 2003, p. 108
  263. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Days of Plague
    1. 28 Days Later~~Twenty-Eight Days Later (2003 Film) by Alex Garland
    2. Bonhoeffer (2003 Film) by Martin Doblmeier
    The New Yorker, June 30, 2003, pp. 102-108
  264. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Culture Shocks
    1. Laurel Canyon (2003 Film) by Lisa Cholodenko
    2. Irreversible (2002 Film) by Gaspar Noe
    The New Yorker, March 10, 2003, pp. 94-98
  265. The Current Cinema
    Anthony Lane
    Only the Lonely
    The New Yorker, March 24, 2003, pp. 88-98
  266. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Unusual Suspects
    1. X2 - X-Men United (2003 Film) by Bryan Singer
    2. Man on the Train (2002 Film) by Patrice Leconte
    The New Yorker, May 12, 2003, pp. 112-116
  267. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Sex and the Sixties Girl
    1. Down with Love (2003 Film) by Peyton Reed
    2. A Woman Is a Woman (1961 Film) by Jean-Luc Godard
    The New Yorker, May 26, 2003, pp. 102-114
  268. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Deceived
    1. Shattered Glass (2003 Film) by Billy Ray
    2. The Human Stain (2003 Film) by Robert Benton
    The New Yorker, November 3, 2003, pp. 104-108
  269. [+]
    The Current Cinema (Review)
    Anthony Lane
    Ruling the Waves
    1. Master and Commander: The Far Side of the World (2003 Film) by Peter Weir
    The New Yorker, November 17, 2003, pp. 172-173
  270. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Unhappy Trails
    1. The Station Agent (2003 Film) by Thomas McCarthy
    2. Wonderland (2003 Film) by James Cox
    The New Yorker, October 6, 2003, pp. 138-142
  271. [+]
    The Current Cinema (Review)
    Anthony Lane
    Young Blood
    1. Sylvia (2003 Film) by Christine Jeffs
    The New Yorker, October 20, 2003, pp. 206-207
  272. [+]
    The Current Cinema (Review)
    Anthony Lane
    Background Music
    1. Taking Sides (2002 Film) by Istvan Szabo
    The New Yorker, September 8, 2003, pp. 100-104
  273. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Teen-Agers In Peril
    1. Matchstick Men (2003 Film) by Ridley Scott
    2. In This World (2002 Film) by Michael Winterbottom
    The New Yorker, September 22, 2003, pp. 202-205
  274. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Heists
    1. The Ladykillers (2004 Film) by Ethan Coen and Joel Coen
    2. Intermission (2003 Film) by John Crowley
    The New Yorker, April 5, 2004, pp. 89-94
  275. [+]
    The Current Cinema (Review)
    Anthony Lane
    Baby Shower
    1. She Hate Me (2004 Film) by Spike Lee
    The New Yorker, August 2, 2004, pp. 86-90
  276. [+]
    The Current Cinema (Review)
    Anthony Lane
    Village People
    1. The Village (2004 Film) by M. Night Shyamalan
    The New Yorker, August 23, 2004, pp. 90-94
  277. [+]
    The Current Cinema (Review)
    Anthony Lane
    War-Torn
    1. Alexander (2004 Film) by Oliver Stone
    The New Yorker, December 6, 2004, pp. 125-130
  278. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Partners
    1. Closer (2004 Film) by Mike Nichols
    2. House of Flying Daggers (2004 Film) by Yimou Zhang
    The New Yorker, December 13, 2004, pp. 107-142
  279. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Three's A Crowd
    1. On the Run (2002 Film) by Lucas Belvaux
    2. An Amazing Couple (2002 Film) by Lucas Belvaux
    3. After Life (2002 Film) by Lucas Belvaux
    The New Yorker, February 2, 2004, pp. 94-98
  280. [+]
    The Current Cinema (Review)
    Anthony Lane
    The Creepiest
    1. Ripley's Game (2003 Film) by Liliana Cavani
    The New Yorker, February 16, 2004, pp. 204-207
  281. [+]
    The Current Cinema (Review)
    Anthony Lane
    Full Circle
    1. The Lord of the Rings: The Return of the King (2003 Film) by Peter Jackson
    The New Yorker, January 5, 2004, p. 89
  282. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Swing Easy
    1. Spider-Man 2 (2004 Film) by Sam Raimi
    2. The Clearing (2004 Film) by Pieter Jan Brugge
    The New Yorker, July 12, 2004, pp. 107-112
  283. The Current Cinema
    Anthony Lane
    Smorgabord: An Ingmar Bergman retrospective
    The New Yorker, June 14, 2004, pp. 200-205
  284. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Men's Secrets
    1. Distant (2002 Film) by Nuri Bilge Ceylan
    2. The Return (2003 Film) by Andrei Zvyagintsev
    The New Yorker, March 15, 2004, pp. 154-168
  285. [+]
    The Current Cinema (Review)
    Anthony Lane
    Don't Look Back
    1. Eternal Sunshine of the Spotless Mind (2004 Film) by Michel Gondry
    The New Yorker, March 22, 2004, pp. 102-108
  286. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Creating Monsters
    1. Van Helsing (2004 Film) by Stephen Sommers
    2. Control Room (2004 Film) by Jehane Noujaim
    The New Yorker, May 24, 2004, pp. 96-108
  287. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Aftermaths
    1. Enduring Love (2004 Film) by Roger Michell
    2. Hearts and Minds (1974 Film) by Peter Davis (II)
    The New Yorker, November 1, 2004, pp. 110-114
  288. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Illustrated Life
    1. The Incredibles (2004 Film) by Brad Bird
    2. The Big Red One (1980 Film) by Samuel Fuller
    The New Yorker, November 15, 2004, pp. 116-124
  289. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Young Men
    1. P.S. (2004 Film) by Dylan Kidd
    2. Tarnation (2004 Film) by Jonathan Caouette
    The New Yorker, October 18, 2004, pp. 214-217
  290. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Power Plays
    1. Vanity Fair (2004 Film) by Mira Nair
    2. Hero (2004 Film) by Yimou Zhang
    The New Yorker, September 6, 2004, pp. 169-171
  291. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Identity Crisis
    1. Wicker Park (2004 Film) by Paul McGuigan
    2. Infernal Affairs (2002 Film) by Siu Fai Mak and Wai-Keung Lau
    The New Yorker, September 20, 2004, pp. 108-112
  292. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Ghosts
    1. The Motorcycle Diaries (2004 Film) by Walter Salles
    2. Shaun of the Dead (2004 Film) by Edgar Wright
    The New Yorker, September 27, 2004, pp. 158-159
  293. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Feelings
    1. Sin City (2005 Film) by Frank Miller and Robert Rodriguez
    2. A Hole in My Heart (2005 Film) by Lukas Moodysson
    The New Yorker, April 11, 2005, pp. 86-90
  294. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    In Translation
    1. The Interpreter (2005 Film) by Sydney Pollack
    2. The Best of Youth (2003 Film) by Marco Tullio Giordana
    The New Yorker, April 25, 2005, pp. 96-100
  295. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Opting Out
    1. Last Days (2005 Film) by Gus Van Sant
    2. The Edukators (2005 Film) by Hans Weingartner
    3. 9 Songs~~Nine Songs (2004 Film) by Michael Winterbottom
    The New Yorker, August 1, 2005, pp. 90-94
  296. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Mad About the Boy
    1. Asylum (2005 Film) by David Mackenzie
    2. 2046~~Two Thousand Forty-Six (2004 Film) by Kar Wai Wong
    The New Yorker, August 22, 2005, pp. 85-92
  297. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    New Frontiers
    1. Brokeback Mountain (2005 Film) by Ang Lee
    2. The Chronicles of Narnia - The Lion, the Witch and the Wardrobe (2005 Film) by Andrew Adamson
    The New Yorker, December 12, 2005, pp. 117-122
  298. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    The Other
    1. Munich (2005 Film) by Steven Spielberg
    2. Cache (Hidden) (2005 Film) by Michael Haneke
    3. The New World (2005 Film) by Terrence Malick
    The New Yorker, December 26, 2005, pp. 149-150
  299. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Guilt and Innocents
    1. Nobody Knows (2005 Film) by Hirokazu Koreeda
    2. Turtles Can Fly (2005 Film) by Bahman Ghobadi
    The New Yorker, February 7, 2005, pp. 93-98
  300. [+]
    The Current Cinema (Review)
    Anthony Lane
    Oral Values
    1. Inside Deep Throat (2004 Film) by Fenton Bailey and Randy Barbato
    The New Yorker, February 28, 2005, pp. 96-100
  301. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Unmasked
    1. Andrew Lloyd Webber's the Phantom of the Opera (2004 Film) by Joel Schumacher
    2. William Shakespeare's The Merchant of Venice (2004 Film) by Michael Radford
    The New Yorker, January 3, 2005, pp. 78-84
  302. [+]
    The Current Cinema (Review)
    Anthony Lane
    Go Fish
    1. The Life Aquatic with Steve Zissou (2004 Film) by Wes Anderson
    The New Yorker, January 17, 2005, pp. 96-100
  303. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Making Mischief
    1. Charlie and the Chocolate Factory (2005 Film) by Tim Burton
    2. Wedding Crashers (2005 Film) by David Dobkin
    The New Yorker, July 25, 2005, pp. 100-110
  304. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Looking for Heroes
    1. Cinderella Man (2005 Film) by Ron Howard
    2. The White Diamond (2004 Film) by Werner Herzog
    The New Yorker, June 6, 2005, pp. 106-110
  305. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Bewildered
    1. Bewitched (2005 Film) by Nora Ephron
    2. Me and You and Everyone We Know (2005 Film) by Miranda July
    3. Yes (2004 Film) by Sally Potter
    The New Yorker, June 27, 2005, pp. 105-110
  306. [+]
    The Current Cinema (Review)
    Anthony Lane
    Beginnings
    1. Head-On (2004 Film) by Fatih Akin
    The New Yorker, March 14, 2005, pp. 145-164
  307. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Revenge
    1. The Ring Two (2005 Film) by Hideo Nakata
    2. Oldboy (2003 Film) by Chan-wook Park
    The New Yorker, March 28, 2005, pp. 82-86
  308. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Personal Battles
    1. Kingdom of Heaven (2005 Film) by Ridley Scott
    2. The Hitchhiker's Guide to the Galaxy (2005 Film) by Garth Jennings
    The New Yorker, May 9, 2005, pp. 92-96
  309. [+]
    The Current Cinema (Review)
    Anthony Lane
    Space Chase
    1. Star Wars - Episode III, Revenge of the Sith (2005 Film) by George Lucas
    The New Yorker, May 23, 2005, pp. 94-100
  310. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Parent Traps
    1. Pride and Prejudice (2005 Film) by Joe Wright
    2. Bee Season (2005 Film) by David Siegel and Scott McGehee
    The New Yorker, November 14, 2005, pp. 101-106
  311. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Boy Wonders
    1. The Libertine (2004 Film) by Laurence Dunmore
    2. Harry Potter and the Goblet of Fire (2005 Film) by Mike Newell
    The New Yorker, November 28, 2005, pp. 186-200
  312. The Current Cinema
    Anthony Lane
    Hunting Dickens
    The New Yorker, October 3, 2005, pp. 106-110
  313. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Best Friends
    1. Wallace and Gromit: The Curse of the Were-Rabbit (2005 Film) by Nick Park and Steve Box
    2. In Her Shoes (2005 Film) by Curtis Hanson
    The New Yorker, October 17, 2005, pp. 186-202
  314. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Troublemakers
    1. Kiss Kiss, Bang Bang (2005 Film) by Shane Black
    2. North Country (2005 Film) by Niki Caro
    The New Yorker, October 31, 2005, pp. 94-102
  315. [+]
    The Current Cinema (Review)
    Anthony Lane
    Officers and Gentlemen
    1. The Constant Gardener (2005 Film) by Fernando Meirelles
    The New Yorker, September 5, 2005, pp. 161-174
  316. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Unhappy Families
    1. Proof (2005 Film) by John Madden
    2. The Weeping Meadow (2004 Film) by Theodoros Angelopoulos
    The New Yorker, September 19, 2005, pp. 96-97
  317. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Soul Mates
    1. The Double Life of Veronique (1991 Film) by Krzysztof Kieslowski
    2. Lucky Number Slevin (2006 Film) by Paul McGuigan
    The New Yorker, April 10, 2006, pp. 92-96
  318. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Game Playing
    1. American Dreamz (2006 Film) by Paul Weitz
    2. I Am A Sex Addict (2005 Film) by Caveh Zahedi
    The New Yorker, April 24, 2006, pp. 179-204
  319. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    What If
    1. Conservations with Other Women (2006 Film) by Hans Canosa
    2. 13 Tzameti~~Thirteen Tzameti (2005 Film) by Gela Babluani
    The New Yorker, August 7, 2006, pp. 92-102
  320. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Borderlines
    1. Factotum (2005 Film) by Bent Hamer
    2. This Film Is Not Yet Rated (2006 Film) by Kirby Dick
    The New Yorker, August 28, 2006, pp. 82-88
  321. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    The Fountain (2006 Film), by Darren Aronofsky
    1. The Fountain (2006 Film) by Darren Aronofsky
    2. For Your Consideration (2006 Film) by Christopher Guest
    The New Yorker, December 4, 2006, pp. 104-108
  322. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Fighting Men
    1. The Good German (2006 Film) by Steven Soderbergh
    2. Apocalypto (2006 Film) by Mel Gibson
    The New Yorker, December 18, 2006, pp. 99-110
  323. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Job Discrimination
    1. The Three Burials of Melquiades Estrada (2005 Film) by Tommy Lee Jones
    2. Manderlay (2005 Film) by Lars von Trier
    The New Yorker, February 6, 2006, pp. 94-98
  324. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Evil Touch
    1. Sophie Scholl: The Final Days (2005 Film) by Marc Rothemund
    2. Night Watch (2005 Film) by Timur Bekmambetov
    The New Yorker, February 27, 2006, pp. 90-94
  325. [+]
    The Current Cinema (Review)
    Anthony Lane
    Kryptology
    1. Superman Returns (2006 Film) by Bryan Singer
    The New Yorker, July 3, 2006, pp. 86-96
  326. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Men At Sea
    1. Pirates of the Caribbean: Dead Man's Chest (2006 Film) by Gore Verbinski
    2. Edmond (2005 Film) by Stuart Gordon
    The New Yorker, July 24, 2006, pp. 82-92
  327. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Engine Trouble
    1. Cars (2006 Film) by John Lasseter and Joe Ranft
    2. Lower City (2005 Film) by Sergio Machado
    The New Yorker, June 19, 2006, pp. 94-98
  328. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Telling Tales
    1. The Heart Is Deceitful Above All Things (2004 Film) by Asia Argento
    2. Woman Is the Future of Man (2004 Film) by Sang-soo Hong
    The New Yorker, March 13, 2006, pp. 95-106
  329. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Unsocial Studies
    1. Inside Man (2006 Film) by Spike Lee
    2. L'Enfant (2005 Film) by Jean-Pierre Dardenne and Luc Dardenne
    The New Yorker, March 27, 2006, pp. 90-94
  330. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Choosing Sides
    1. The Proposition (2005 Film) by John Hillcoat
    2. Army of Shadows (1969 Film) by Jean-Pierre Melville
    The New Yorker, May 8, 2006, pp. 86-90
  331. [+]
    The Current Cinema (Review)
    Anthony Lane
    Save Us
    1. Mission: Impossible III (2006 Film) by J.J. Abrams
    The New Yorker, May 15, 2006, pp. 91-96
  332. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Heaven Can Wait
    1. The Da Vinci Code (2006 Film) by Ron Howard
    The New Yorker, May 29, 2006, pp. 76-78
  333. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    In Your Face
    1. Borat (2006 Film) by Larry Charles
    2. Volver (2006 Film) by Pedro Almodovar
    The New Yorker, November 6, 2006, pp. 106-109
  334. [+]
    The Current Cinema (Review)
    Anthony Lane
    Of Human Bondage
    1. Casino Royale (2006 Film) by Martin Campbell
    The New Yorker, November 20, 2006, pp. 100-104
  335. [+]
    The Current Cinema (Review)
    Anthony Lane
    Battle Royal
    1. The Queen (2006 Film) by Stephen Frears
    The New Yorker, October 9, 2006, pp. 91-96
  336. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Lost in the Revolution
    1. Marie Antoinette (2006 Film) by Sofia Coppola
    2. Infamous (2006 Film) by Douglas McGrath#2
    The New Yorker, October 23, 2006, pp. 93-98
  337. [+]
    The Current Cinema (Review)
    Anthony Lane
    Supermen
    1. Hollywoodland (2006 Film) by Allen Coulter
    The New Yorker, September 11, 2006, pp. 88-142
  338. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Dream On
    1. The Science of Sleep (2006 Film) by Michel Gondry
    2. Renaissance (2006 Film) by Christian Volckman
    The New Yorker, September 25, 2006, pp. 155-176
  339. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    In Disguise
    1. Black Book (2006 Film) by Paul Verhoeven
    2. The Hoax (2007 Film) by Lasse Hallstrom
    The New Yorker, April 9, 2007, pp. 77-79
  340. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Magnum Farce
    1. Hot Fuzz (2007 Film) by Edgar Wright
    2. The Valet (2006 Film) by Francis Veber
    The New Yorker, April 30, 2007, pp. 88-92
  341. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Lover Beware
    1. Becoming Jane (2007 Film) by Julian Jarrold
    2. Two Days in Paris (2007 Film) by Julie Delpy
    The New Yorker, August 13, 2007, pp. 88-92
  342. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Lone Sailors
    1. Deep Water (2006 Film) by Louise Osmond and Jerry Rothwell
    The New Yorker, August 27, 2007, pp. 78-80
  343. [+]
    The Current Cinema (Review)
    Anthony Lane
    Conflicting Stories
    1. Atonement (2007 Film) by Joe Wright
    The New Yorker, December 10, 2007, pp. 116-120
  344. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Settling Scores
    1. Charlie Wilson's War (2007 Film) by Mike Nichols
    2. Sweeney Todd - The Demon Barber of Fleet Street (2007 Film) by Tim Burton
    3. Persepolis (2007 Film) by Marjane Satrapi and Vincent Paronnaud
    The New Yorker, December 24, 2007, pp. 150-162
  345. [+]
    The Current Cinema (Review)
    Anthony Lane
    Sound Effects
    1. The Situation (2006 Film) by Philip Haas
    The New Yorker, February 5, 2007, pp. 86-90
  346. [+]
    The Current Cinema (Review)
    Anthony Lane
    Guilty Parties
    1. The Lives of Others (2007 Film) by Florian Henckel von Donnersmarck
    The New Yorker, February 12, 2007, pp. 88-94
  347. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Under the Volcano
    1. Children of Men (2006 Film) by Alfonso Cuaron
    2. Pan's Labyrinth (2006 Film) by Guillermo del Toro
    The New Yorker, January 8, 2007, pp. 83-88
  348. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Children's Tales
    1. Miss Potter (2006 Film) by Chris Noonan
    2. Abduction: The Megumi Yokota Story (2007 Film) by Chris Sheridan and Patty Kim
    The New Yorker, January 22, 2007, pp. 90-94
  349. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Battle Scars
    1. Transformers (2007 Film) by Michael Bay
    2. Rescue Dawn (2006 Film) by Werner Herzog
    The New Yorker, July 9, 2007, pp. 100-104
  350. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Hot Stuff
    1. Sunshine (2007 Film) by Danny Boyle
    2. Moliere (2007 Film) by Laurent Tirard
    The New Yorker, July 30, 2007, pp. 90-94
  351. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Men At Sea
    1. Knocked Up (2007 Film) by Judd Apatow
    2. Pirates of the Caribbean - At World's End (2007 Film) by Gore Verbinski
    The New Yorker, June 4, 2007, pp. 88-90
  352. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Discoveries
    1. A Mighty Heart (2007 Film) by Michael Winterbottom
    2. Nancy Drew (2007 Film) by Andrew Fleming
    The New Yorker, June 25, 2007, pp. 104-108
  353. [+]
    The Current Cinema (Review)
    Anthony Lane
    Down By the River
    1. The Host (2006 Film) by Bong Joon-ho
    The New Yorker, March 12, 2007, pp. 90-94
  354. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Loves Lost
    1. Reign Over Me (2007 Film) by Mike Binder
    2. Premonition (2007 Film) by Mennan Yapo
    The New Yorker, March 26, 2007, pp. 94-98
  355. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Acting Out
    1. Spider-Man 3 (2007 Film) by Sam Raimi
    2. The Treatment (2006 Film) by Oren Rudavsky
    The New Yorker, May 7, 2007, pp. 86-90
  356. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Drifters
    1. Fay Grim (2006 Film) by Hal Hartley
    2. The Wendell Baker Story (2005 Film) by Andrew Wilson and Luke Wilson
    The New Yorker, May 21, 2007, pp. 90-96
  357. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Hunting Grounds
    1. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    2. Lions for Lambs (2007 Film) by Robert Redford
    The New Yorker, November 12, 2007, pp. 98-102
  358. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Tangled Up
    1. I'm Not There (2007 Film) by Todd Haynes
    2. The Mist (2007 Film) by Frank Darabont
    The New Yorker, November 26, 2007, pp. 173-194
  359. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Outlaws
    1. The Kingdom (2007 Film) by Peter Berg
    2. The Assassination of Jesse James by the Coward Robert Ford (2007 Film) by Andrew Dominik
    The New Yorker, October 1, 2007, pp. 105-110
  360. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Leaving It All Behind
    1. The Darjeeling Limited (2007 Film) by Wes Anderson
    2. Control (2007 Film) by Anton Corbijn
    The New Yorker, October 15, 2007, pp. 104-108
  361. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Nocturnes
    1. We Own the Night (2007 Film) by James Gray
    2. Lust, Caution (2007 Film) by Ang Lee
    The New Yorker, October 22, 2007, pp. 186-208
  362. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Space Cases
    1. Eastern Promises (2007 Film) by David Cronenberg
    2. In the Shadow of the Moon (2007 Film) by David Sington
    The New Yorker, September 17, 2007, pp. 100-146
  363. [+]
    The Current Cinema (Review)
    Anthony Lane
    Indie Love
    1. In Search of a Midnight Kiss (2007 Film) by Alex Holdridge
    The New Yorker, August 4, 2008, pp. 78-82
  364. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Vanity Cases
    1. Tropic Thunder (2008 Film) by Ben Stiller
    2. A Girl Cut in Two (2007 Film) by Claude Chabrol
    The New Yorker, August 25, 2008, pp. 84-88
  365. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Ring Cycles
    1. The Wrestler (2008 Film) by Darren Aronofsky
    2. The Reader (2008 Film) by Stephen Daldry
    3. Doubt (2008 Film) by John Patrick Shanley
    The New Yorker, December 15, 2008, pp. 94-102
  366. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Strangers
    1. In Bruges (2008 Film) by Martin McDonagh
    2. The Band's Visit (2007 Film) by Eran Kolirin
    The New Yorker, February 11, 2008, pp. 157-170
  367. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Beamed Down
    1. Jumper (2008 Film) by Doug Liman
    2. Be Kind Rewind (2008 Film) by Michel Gondry
    The New Yorker, February 25, 2008, pp. 88-96
  368. [+]
    The Current Cinema (Review)
    Anthony Lane
    Gone Missing
    1. The Orphanage (2007 Film) by Juan Antonio Bayona
    The New Yorker, January 14, 2008, pp. 86-90
  369. The Critics
    [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Euro Visions
    1. Mamma Mia! The Movie (2008 Film) by Phyllida Lloyd
    2. Journey to the Center of the Earth (2008 Film) by Eric Brevig
    The New Yorker, July 28, 2008, pp. 78-80
  370. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Carrie
    1. Sex and the City - The Movie (2008 Film) by Michael Patrick King
    The New Yorker, June 9, 2008, pp. 112-114
  371. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Big Kills
    1. Wanted (2008 Film) by Timur Bekmambetov
    2. The Happening (2008 Film) by M. Night Shyamalan
    The New Yorker, June 30, 2008, pp. 86-90
  372. [+]
    The Current Cinema (Review)
    Anthony Lane
    Recurring Nightmare
    1. Funny Games (1998 Film) by Michael Haneke
    The New Yorker, March 17, 2008, pp. 92-98
  373. [+]
    The Current Cinema (Review)
    Anthony Lane
    Beautiful Friendships
    1. The Edge of Heaven (2007 Film) by Fatih Akin
    The New Yorker, May 26, 2008, pp. 88-92
  374. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Let's Put on a Show!
    1. Synecdoche, New York (2008 Film) by Charlie Kaufman
    2. High School Musical 3: Senior Year (2008 Film) by Kenny Ortega
    The New Yorker, November 3, 2008, pp. 122-128
  375. [+]
    The Current Cinema (Review)
    Anthony Lane
    Soul Survivor
    1. Quantum of Solace (2008 Film) by Marc Forster
    The New Yorker, November 17, 2008, pp. 114-118
  376. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Hard Times
    1. Slumdog Millionaire (2008 Film) by Danny Boyle and Loveleen Tandan
    2. A Christmas Tale (2008 Film) by Arnaud Desplechin
    The New Yorker, November 24, 2008, pp. 130-140
  377. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Edge of Dark
    1. Blindness (2008 Film) by Fernando Meirelles
    2. Rachel Getting Married (2008 Film) by Jonathan Demme
    The New Yorker, October 6, 2008, pp. 94-98
  378. [+]
    The Current Cinema (3 Reviews)
    Anthony Lane
    Inside Jobs
    1. Filth and Wisdom (2008 Film) by Madonna
    2. RocknRolla (2008 Film) by Guy Ritchie
    3. What Just Happened? (2008 Film) by Barry Levinson
    The New Yorker, October 20, 2008, pp. 100-104
  379. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    View to a Kill
    1. Bangkok Dangerous (2008 Film) by Danny Pang and Oxide Pang Chun
    2. Mister Foe (2007 Film) by David Mackenzie
    The New Yorker, September 8, 2008, pp. 82-86
  380. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    No Man's Land
    1. The Women (2008 Film) by Diane English
    2. Lakeview Terrace (2008 Film) by Neil LaBute
    The New Yorker, September 22, 2008, pp. 96-100
  381. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Changing Places
    1. Monsters vs. Aliens (2009 Film) by Rob Letterman and Conrad Vernon
    2. Shall We Kiss? (2007 Film) by Emmanuel Mouret
    The New Yorker, April 6, 2009, pp. 82-86
  382. [+]
    The Current Cinema (Review)
    Anthony Lane
    Rock Solid
    1. Anvil: The Story of Anvil (2008 Film) by Sacha Gervasi
    The New Yorker, April 20, 2009, pp. 118-122
  383. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Lightened Loads
    1. Cold Souls (2008 Film) by Sophie Barthes
    2. Not Quite Hollywood (2008 Film) by Mark Hartley
    The New Yorker, August 10, 2009, pp. 86-90
  384. [+]
    The Current Cinema (Review)
    Anthony Lane
    Nowhere Man
    1. Up in the Air (2009 Film) by Jason Reitman
    The New Yorker, December 7, 2009, pp. 98-102
  385. The Current Cinema
    Anthony Lane
    Free and Uneasy
    The New Yorker, December 21, 2009, pp. 148-154
  386. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Americans At Large
    1. California Dreamin' (2007 Film) by Cristian Nemescu
    2. Taken (2008 Film) by Pierre Morel
    The New Yorker, February 2, 2009, pp. 80-84
  387. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Gritty Cities
    1. Gomorrah (2008 Film) by Matteo Garrone
    2. Two Lovers (2008 Film) by James Gray
    The New Yorker, February 23, 2009, pp. 81-88
  388. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Private Wars
    1. Valkyrie (2008 Film) by Bryan Singer
    2. Waltz with Bashir (2008 Film) by Ari Folman
    The New Yorker, January 5, 2009, pp. 74-78
  389. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Che's Way
    1. Che (2008 Film) by Steven Soderbergh
    The New Yorker, January 19, 2009, pp. 72-74
  390. The Critics
    [+]
    The Current Cinema (Review)
    Anthony Lane
    Mein Camp
    1. Bruno (2009 Film) by Larry Charles and Dan Mazer
    The New Yorker, July 20, 2009, pp. 70-72
  391. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Gray Skies
    1. Harry Potter and the Half-Blood Prince (2009 Film) by David Yates
    2. In the Loop (2009 Film) by Armando Iannucci
    The New Yorker, July 27, 2009, pp. 78-82
  392. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Terminator Salvation (2009 Film), by McG
    1. Terminator Salvation (2009 Film) by McG
    2. Jerichow (2008 Film) by Christian Petzold
    The New Yorker, June 1, 2009, pp. 90-94
  393. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Off the Rails
    1. The Taking of Pelham 1 2 3 (2009 Film) by Tony Scott
    2. Whatever Works (2009 Film) by Woody Allen
    The New Yorker, June 22, 2009, pp. 90-94
  394. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Dark Visions
    1. Watchmen (2009 Film) by Zack Snyder
    2. Leave Her to Heaven (1945 Film) by John M. Stahl
    The New Yorker, March 9, 2009, pp. 82-86
  395. The Current Cinema
    Anthony Lane
    Need a Job?
    The New Yorker, March 23, 2009, pp. 82-86
  396. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Men of Mystery
    1. Il Divo (2008 Film) by Paolo Sorrentino
    2. The Limits of Control (2008 Film) by Jim Jarmusch
    The New Yorker, May 4, 2009, pp. 80-84
  397. [+]
    The Current Cinema (Review)
    Anthony Lane
    Highly Illogical
    1. Star Trek (2009 Film) by J.J. Abrams
    The New Yorker, May 18, 2009, pp. 80-81
  398. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Making Peace
    1. The Men Who Stare at Goats (2009 Film) by Grant Heslov
    2. Precious: Based on the Novel "Push" by Sapphire (2009 Film) by Lee Daniels
    The New Yorker, November 9, 2009, pp. 86-90
  399. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Only Make-Believe
    1. Broken Embraces (2009 Film) by Pedro Almodovar
    2. 2012~~Two Thousand Twelve (2009 Film) by Roland Emmerich
    The New Yorker, November 23, 2009, pp. 126-130
  400. The Current Cinema
    Anthony Lane
    Trouble in Eden
    The New Yorker, October 26, 2009, pp. 98-102
  401. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Only Human
    1. 9~~Nine (2009 Film) by Shane Acker
    2. District 9 (2009 Film) by Neill Blomkamp
    The New Yorker, September 14, 2009, pp. 114-118
  402. [+]
    The Current Cinema (Review)
    Anthony Lane
    Dressing Up
    1. Coco Before Chanel (2009 Film) by Anne Fontaine
    The New Yorker, September 28, 2009, pp. 86-90
  403. The Current Cinema
    Anthony Lane
    Hard Days and Nights
    The New Yorker, January 11, 2010, pp. 82-86
  404. [+]
    The Current Cinema: Against the Law (2 Reviews)
    Anthony Lane
    Philadelphia (1993 Film), by Jonathan Demme
    1. Philadelphia (1993 Film) by Jonathan Demme
    2. The Pelican Brief (1993 Film) by Alan J. Pakula
    The New Yorker, December 27, 1993, pp. 148-149
  405. [+]
    The Current Cinema: Playing Along (2 Reviews)
    Anthony Lane
    Un Coeur en Hiver (1992 Film), by Claude Sautet
    1. Un Coeur en Hiver (1992 Film) by Claude Sautet
    2. The Music of Chance (1993 Film) by Philip Haas
    The New Yorker, June 7, 1993, pp. 104-107
  406. [+]
    The Current Cinema: Turning the Tables (2 Reviews)
    Anthony Lane
    High Fidelity (2000 Film), by Stephen Frears
    1. High Fidelity (2000 Film) by Stephen Frears
    2. The Filth and the Fury - A Sex Pistols Film (2000 Film) by Julien Temple
    The New Yorker, April 3, 2000, pp. 99-104
  407. Deggs
    Anthony Lane
    The New Yorker, November 23, 2009, pp. 79-83
  408. Department of Literacy
    Anthony Lane
    Take Me to Your Reader
    The New Yorker, October 16, 2000, pp. 173-187
  409. [+]
    Don Yawn (Review)
    Anthony Lane
    The Last Don, by Mario Puzo
    1. The Last Don by Mario Puzo
    The New Yorker, August 12, 1996, p. 73
  410. Elements of Film: Where There's Fire
    Anthony Lane
    Today, sex is in and smoking is out, but once a smoldering cigarette was as hot as it got
    The New Yorker, March 21, 1994, pp. 203-214
  411. European Journal
    Anthony Lane
    High and Low
    The New Yorker, April 24, 2006, pp. 56-65
  412. The Critics
    [+]
    Exposures (Review)
    Anthony Lane
    Helmut Newton: Autobiography, by Helmut Newton
    1. Helmut Newton: Autobiography by Helmut Newton
    The New Yorker, September 22, 2003, pp. 180-183
  413. [+]
    First Bite (Review)
    Anthony Lane
    Hannibal Rising, by Thomas Harris
    1. Hannibal Rising by Thomas Harris
    The New Yorker, December 18, 2006, pp. 92-94
  414. [+]
    From Russia With Love (Review)
    Anthony Lane
    The Stories of Vladimir Nabokov, by Dmitri Nabokov and Vladimir Nabokov
    1. The Stories of Vladimir Nabokov by Dmitri Nabokov and Vladimir Nabokov
    The New Yorker, December 4, 1995, pp. 108-114
  415. At the Galleries
    Anthony Lane
    The Shutterbug
    The New Yorker, May 21, 2001, pp. 78-84
  416. [+]
    Gilding Lily (2 Reviews)
    Anthony Lane
    The House of Mirth (2000 Film), by Terence Davies
    1. The House of Mirth (2000 Film) by Terence Davies
    2. O Brother, Where Art Thou? (2000 Film) by Joel Coen and Ethan Coen
    The New Yorker, December 25, 2000, pp. 156-157
  417. The Critics
    [+]
    Higher Ground (Review)
    Anthony Lane
    Vertigo, by W.G. Sebald
    1. Vertigo by W.G. Sebald
    The New Yorker, May 29, 2000, pp. 128-136
  418. The Critics
    [+]
    Hollywood Royalty (Review)
    Anthony Lane
    High Society, by Donald Spoto
    1. High Society by Donald Spoto
    The New Yorker, January 4, 2010, pp. 66-72
  419. Letter from Beijing
    Anthony Lane
    The Only Games in Town
    The New Yorker, August 25, 2008, pp. 26-30
  420. Letter from Beijing
    Anthony Lane
    Fun and Games
    The New Yorker, September 1, 2008, pp. 68-73
  421. Letter from London
    Anthony Lane
    The Maria Problem
    The New Yorker, February 14, 2000, pp. 30-34
  422. Life and Letters
    Anthony Lane
    Beyond a Joke
    The New Yorker, April 19, 2004, pp. 138-151
  423. Life and Letters
    Anthony Lane
    An Englishman Abroad
    The New Yorker, May 22, 2006, pp. 58-67
  424. The Critics
    At the Museums
    Anthony Lane
    The New Yorker, March 13, 2000, pp. 84-91
  425. The Critics
    At the Museums
    Anthony Lane
    The New Yorker, September 23, 2002, pp. 82-85
  426. Nobody's Perfect (2002)
    Anthony Lane
    Writings from The New Yorker
    1 Review
  427. [+]
    Of Human Bondage (Review)
    Anthony Lane
    Ian Fleming: The Man Behind James Bond, by Andrew Lycett
    1. Ian Fleming: The Man Behind James Bond by Andrew Lycett
    The New Yorker, June 24, 1996, pp. 148-153
  428. The Critics
    On Photography
    Anthony Lane
    The New Yorker, January 21, 2002, pp. 76-82
  429. On Photography
    Anthony Lane
    The New Yorker, February 10, 2003, pp. 94-98
  430. Onward and Upward With the Arts
    Anthony Lane and Richard Avedon
    Ralph Fiennes comes to Broadway as Hamlet
    The New Yorker, April 17, 1995, pp. 86-88
  431. Onward and Upward With the Arts
    Anthony Lane
    Road Show
    The New Yorker, September 14, 2009, pp. 84-91
  432. Onward and Upward with the Arts: Kafka's Heir
    Anthony Lane
    No other filmmaker today has as strange a world view as the Czech surrealist Jan Svankm...
    The New Yorker, October 31, 1994, pp. 48-63
  433. Onward and Upward with the Arts: Tights! Camera! Action!
    Anthony Lane
    Why Shakespeare became this year's Jane Austen
    The New Yorker, November 25, 1996, p. 65
  434. Our Far-Flung Correspondents
    Anthony Lane
    The Joys of Bricks
    The New Yorker, April 27, 1998, pp. 96-97
  435. [+]
    A P.C. New Testament and Psalms (Review)
    Anthony Lane
    The New Testament and Psalms: An Inclusive Version, by Victor Roland Gold, Thomas L. Ho...
    1. The New Testament and Psalms: An Inclusive Version by Victor Roland Gold, Thomas L. Hoyt, Jr., and Sharon H. Ringe, ...
    The New Yorker, October 2, 1995, pp. 98-100
  436. Portfolio: William Klein's Paris
    Anthony Lane
    The New Yorker, July 22, 2002, pp. 56-63
  437. Postcard from Cannes
    Francois-Marie Banier and Anthony Lane
    The New Yorker, May 26, 1997, pp. 78-87
  438. The Critics
    [+]
    Rhyme and Unreason (Review)
    Anthony Lane
    Edward Lear, by Peter Levi
    1. Edward Lear by Peter Levi
    The New Yorker, May 29, 1995, pp. 84-88
  439. Royal Affairs
    Anthony Lane and Gerald Scarfe
    Diana Made Easy
    The New Yorker, December 4, 1995, pp. 70-71
  440. Shouts & Murmurs
    Anthony Lane
    Indignations
    The New Yorker, October 9, 1995, pp. 100-102
  441. Shouts & Murmurs
    Anthony Lane
    The Power of One
    The New Yorker, April 28, 1997, pp. 228-230
  442. Shouts & Murmurs
    Anthony Lane
    Felony Flops
    The New Yorker, February 24, 1997, pp. 148-150
  443. Shouts and Murmurs
    Anthony Lane
    Sucking Up
    The New Yorker, October 17, 1994, pp. 122-124
  444. Showcase
    Anthony Lane
    The New Yorker, June 11, 2001, pp. 86-88
  445. Showcase: Eastern Swing
    Tony Uchida and Anthony Lane
    The New Yorker, July 21, 1997, pp. 62-63
  446. Showcase: Kristin Scott Thomas
    Brigitte Lacombe and Anthony Lane
    The New Yorker, October 14, 1996, pp. 98-99
  447. "Subsoil"
    Anthony Lane
    The Top Ten: The mysteries of the best-seller list
    The New Yorker, June 27, 1994, pp. 79-100
  448. The Talk of the Town
    Anthony Lane
    Oscar stars before and after; awards not presented; etc.
    The New Yorker, April 8, 1996, pp. 31-46
  449. The Talk of the Town
    Anthony Lane
    The New Yorker, October 4, 1999, pp. 37-47
  450. The Talk of the Town
    Anthony Lane
    The New Yorker, January 31, 2000, pp. 29-33
  451. [+]
    Then, Voyager (Review)
    Anthony Lane
    Mason and Dixon, by Thomas Pynchon
    1. Mason and Dixon by Thomas Pynchon
    The New Yorker, May 12, 1997, pp. 97-100
  452. The Critics
    [+]
    Waiting for Hulot (Review)
    Anthony Lane
    Jacques Tati: His Life and Art, by David Bellos
    1. Jacques Tati: His Life and Art by David Bellos
    The New Yorker, November 13, 2000, pp. 164-173
    453. No Items Found