Even its critics must admit that Yellowstone was a cultural force. It drove a minor boom in “Western” clothing and aesthetics and more than one spinoff series. Several mainstream media outlets thought it was key to understanding American conservatives, especially the fantasy version of America they supposedly hold. The show’s popularity derived partially from its... Read More

Black Barbie (2023) is a documentary on Netflix about Barbie dolls and their psychological impact on black children. The first half tells the history of these dolls. As a Barbie collector, I found it interesting, even though I have never bought a black doll. The second half is about Mattel’s DEI efforts and how children... Read More

I’m tempted to make a joke about the new Wakanda’s greatest enemy being people who can swim, but I won’t. Wakanda Forever, the sequel to Black Panther, is pathetic. Literally. I pitied the actors, writers, and above all the movie-goers who apparently love this series. The black nationalism and anti-white scorn are mediocre. We should... Read More

The late Sacheen Littlefeather died a hero. She was the “American Indian” Marlon Brando chose to refuse his Academy Award in 1973. Littlefeather said Brando was protesting “the treatment of American Indians today by the film industry” and “recent happenings at Wounded Knee.” The latter referred to a deadly standoff between American Indian activists and... Read More

You don’t have to watch this trash. This video is available on Rumble, BitChute, and Odysee. Out with the whites and in with the blacks. That seems to be Hollywood’s motto these days. The Little Mermaid is the latest switcheroo, with a black mermaid as Ariel. The character in the Hans Christian Anderson fairy tale... Read More

Two years ago I wrote, “What is Wrong With White Women?” This still true: Making their behavior even stranger, the Left doesn’t even reward white women for being renegades. Instead, Leftists constantly complain that they are insufficiently woke, hopelessly white, and draw too much attention from black rappers — all at the expense of black... Read More

What Will Smith once called “The Willenium” in the innocent days of 1999 has taken a dark turn. It’s either that or the Academy Awards, which were losing viewers, arranged a publicity boost from some black-on-black violence. Will Smith walked on stage and slapped Chris Rock after the comedian mentioned Mr. Smith’s wife, Jada Pinkett... Read More

This review contains spoilers. A new horror film, Master, is making waves in the liberal arts scene. It is black woman Mariama Diallo’s first film, and it follows three black women at a prestigious New England college: a freshman (Zoe Renee as Jasmine Moore), an administrator recently promoted to the position of “master” (Regina Hall... Read More

Our rulers seem to think all whites live in wealth, security, and comfort. This myth is one of many that make it impossible to have an honest conversation about race. Here are five films about America’s impoverished and decidedly not privileged white underclass. Wanda (1970) A directionless woman meanders through the Pennsyltucky’s dingy and criminal... Read More

Almost two years ago, I [Chris Roberts] started writing movie recommendations for American Renaissance readers. The quarantines had just begun and I thought people would be spending a lot more time at home for the next month or two. I got the timeframe wrong. For those of you once again stuck at home, I recommend... Read More

Without myth, we aren’t a people. We’re just consumers. Our rulers appear to want it that way. Friedrich Nietzsche called the state the “coldest of the cold monsters.” He rejected the idea that the state created a people. He championed the Germany of artists and scholars, the German nation defined by culture that predated Bismarck’s... Read More

This review contains a few spoilers. If you’ve seen the trailer for 1917, you know the premise: Two British soldiers must slip through enemy lines to deliver an urgent message. If they fail, the Germans will “massacre” a British unit that includes the brother of one of the soldiers. I will not summarize the plot.... Read More

Many white advocates loved Joker, identifying with the title character. Yet it’s not the year’s most important film. That film is Clint Eastwood’s Richard Jewell. Despite one major flaw, it’s a near-masterpiece. It’s also a warning. See it immediately. The plot is straightforward, though Mr. Eastwood unfortunately invents a fictional character and a subplot for... Read More

They are no longer subtle. In the original 2013 movie, The Purge, anti-white themes were camouflaged. The “purge,” a one-night period during which no crime will be punished, was the backdrop to a home-invasion movie in which a white family, helped by a shabby-looking black man with a heart of gold, fights off murderous villains... Read More