The Unz Review • An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
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Content Archive of Printed Periodicals and Books
Ethan Coen Archives
Ethan Coen Archives
Ethan Coen, Director • 20 Items / 2 Books, 15 Films, 3 Articles
No Country for Old Men (2007)
by Ethan Coen and Joel Coen
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Published Reviews
  1. Arts & Letters
    [+]
    Film: Take the Money and Run (Review)
    Steve Sailer
    No Country for Old Men (2007 Film), by Ethan Coen and Joel Coen
    1. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    The American Conservative, December 3, 2007, p. 28
  2. [+]
    In the Dark: Who's That Angel of Death? (Review)
    George McCartney
    No Country for Old Men (2007 Film), by Ethan Coen and Joel Coen
    1. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    Chronicles, February 2008, pp. 48-52
  3. [+]
    Film: Dark Victory (Review)
    Ross Douthat
    No Country for Old Men (2007 Film), by Ethan Coen and Joel Coen
    1. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    National Review, December 17, 2007, pp. 54-55
  4. [+]
    Film: These Guns for Hire (Review)
    John Podhoretz
    No Country for Old Men (2007 Film), by Ethan Coen and Joel Coen
    1. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    The Weekly Standard, December 10, 2007, p. 43
  5. [+]
    The Current Cinema (2 Reviews)
    Anthony Lane
    Hunting Grounds
    1. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    2. Lions for Lambs (2007 Film) by Robert Redford
    The New Yorker, November 12, 2007, pp. 98-102
  6. The Critics
    [+]
    A Critic At Large (5 Reviews)
    David Denby
    Killing Joke
    1. Blood Simple (1984 Film) by Joel Coen and Ethan Coen
    2. Barton Fink (1991 Film) by Joel Coen and Ethan Coen
    3. Fargo (1996 Film) by Joel Coen
    4. The Big Lebowski (1998 Film) by Joel Coen
    5. No Country for Old Men (2007 Film) by Ethan Coen and Joel Coen
    The New Yorker, February 25, 2008, pp. 72-73