The Unz Review • An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
Mihalis Kakogiannis Archives
Mihalis Kakogiannis, Director • 8 Films
Electra (1962)
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Published Reviews
  1. [+]
    Films: When Greek Meets Greek (2 Reviews)
    Electra (1962 Film), by Mihalis Kakogiannis
    1. Electra (1962 Film) by Mihalis Kakogiannis
    2. Arturo's Island (1962 Film) by Damiano Damiani
    The New Republic, January 19, 1963, p. 28
  2. [+]
    Movies: Electra Becomes a Film (2 Reviews)
    Electra (1962 Film), by Mihalis Kakogiannis
    1. Electra (1962 Film) by Mihalis Kakogiannis
    2. Taras Bulba (1962 Film) by J. Lee Thompson
    The Saturday Review, December 15, 1962, p. 29
  3. [+]
    The Current Cinema (3 Reviews)
    The Flawed Hero
    1. Lawrence of Arabia (1962 Film) by David Lean
    2. Freud (1962 Film) by John Huston
    3. Electra (1962 Film) by Mihalis Kakogiannis
    The New Yorker, December 22, 1962, pp. 77-78
  4. [+]
    The Screen: "We Are the Hollow Men" (6 Reviews)
    Eclipse (1962 Film), by Michelangelo Antonioni
    1. Eclipse (1962 Film) by Michelangelo Antonioni
    2. No Exit (1962 Film) by Tad Danielewski
    3. The Quare Fellow (1962 Film) by Arthur Dreifuss
    4. Electra (1962 Film) by Mihalis Kakogiannis
    5. Seven Capital Sins (1962 Film) by Philippe de Broca and Claude Chabrol
    6. Candide (1961 Film) by Norbert Carbonnaux
    Commonweal, December 28, 1962, pp. 367-368
  5. [+]
    Films to Confirm the Poets (8 Reviews)
    Electra (1962 Film), by Mihalis Kakogiannis
    1. Electra (1962 Film) by Mihalis Kakogiannis
    2. The Naked Island (1963 Film) by Kaneto Shindo
    3. Bandits of Orgoloso (1960 Film) by Vittorio De Seta
    4. Eclipse (1962 Film) by Michelangelo Antonioni
    5. The Trial of Joan of Arc (1962 Film) by Robert Bresson
    6. Siberian Lady Macbeth (1962 Film) by Andrzej Wajda
    7. Mother Joan of Angels (1962 Film) by Jerzy Kawalerowicz
    8. Winter Light (1963 Film) by Ingmar Bergman
    The Hudson Review, Summer 1963, pp. 255-263